Gerhard Richter : paintings from private collections
Author(s)
Bibliographic Information
Gerhard Richter : paintings from private collections
Hatje Cantz, c2008
- :English
Available at 6 libraries
  Aomori
  Iwate
  Miyagi
  Akita
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  Gunma
  Saitama
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  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
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  Sweden
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  United States of America
Note
Exhibition catalogue
Catalog of the exhibition held at the Museum Frieder Burda, Baden-Baden, Jan. 19-Apr. 27, 2008; National Art Museum of China, Beijing, May 10-July 2, 2008; National Gallery Complex, Edinburgh, Nov. 8, 2008-Jan. 4, 2009; Albertina, Vienna, Jan. 24-May 3, 2009; MKM Museum Küppersmühle für Moderne Kunst, Duisburg, May 16-Aug. 16, 2009
Includes bibliographical references (p. 182-183)
Description and Table of Contents
Description
Curator Robert Storr has said of the iconic, inscrutable German painter Gerhard Richter, "He's not playing hard to get, he's doing something that is hard to get.'' The difficulty arises from a Conceptualist oeuvre that style-jumps from Photorealism to large, abstract compositions. Martha Schwendener has summed up Richter's contribution by stating, "Seeing Gerhard's abstraction and Photorealism together, you realize that this dual body of work is the perfect expression of what it means to paint today--and what a contemporary master might be." Whatever the style, Richter's subject is always painting itself. Because it features more than 80 works from important private collections, including the artist's own, this monograph provides a unique contextualization of the artist's incredibly influential career, which, spanning more than 40 years, mirrors not only the history of postwar Germany, but also the medium of painting.
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