Psyche and the arts : jungian approaches to music, architecture, literature, film, and painting
著者
書誌事項
Psyche and the arts : jungian approaches to music, architecture, literature, film, and painting
Routledge, 2008
- : pbk
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注記
Includes bibliographical references and index
収録内容
- Psyche and the artist : Jung and the poet / Edmund Cusick
- The discovery of the personal unconscious : Robinson Crusoe and modern identity / Terence Dawson
- Archetypal dwelling, building individuation / Lucy Huskinson
- On painting, substance, and psyche / David Parker
- Haruki Murakami's reimagining of Sophocles' Oedipus' / Inez Martinez
- Psyche, imagination, and art / Bettina Reiber
- How Myrtle Gordon addresses her suffering : Jung's concept of possession and John Cassavetes's opening night / Craig Stephenson
- The father, the dark child, and the mob that kills him : Tim Burton's representation of the creative artist / Elena Vasileva
- Stripping bare the images / Don Fredericksen
- Psyche and imagination in Goethe and Jung : or, loving for love and loving life / Paul Bishop
- Jung's function-attitudes in music composition and discourse / Byron Almén
- Jung in the twilight zone : the psychological functions of the horror film / Angela Connolly
- Writing about nothing / Leslie Gardner
- The poetical word : towards an imaginal language / Elenice Giosa
- Healing with the alchemical imagination in the undergraduate classroom / Lee Robbins
- The serenity of the senex : using Brazilian folk tales as an alternative approach to 'entrepreneurship' in university education / Claudio Paixao Anastacio de Paula
内容説明・目次
内容説明
Does art connect the individual psyche to history and culture?
Psyche and the Arts challenges existing ideas about the relationship between Jung and art, and offers exciting new dimensions to key issues such as the role of image in popular culture, and the division of psyche and matter in art form.
Divided into three sections - Getting into Art, Challenging the Critical Space and Interpreting Art in the World - the text shows how Jungian ideas can work with the arts to illuminate both psychological theory and aesthetic response. Psyche and the Arts offers new critical visions of literature, film, music, architecture and painting, as something alive in the experience of creators and audiences challenging previous Jungian criticism. This approach demonstrates Jung's own belief that art is a healing response to collective cultural norms.
This diverse yet focused collection from international contributors invites the reader to seek personal and cultural value in the arts, and will be essential reading for Jungian analysts, trainees and those more generally interested in the arts.
目次
Rowland, Introduction. Cusick, Psyche and the Artist: Jung and the Poet. Part I: Getting into Art: Jungian (Immanent) Criticism. Dawson, The Discovery of the Personal Unconscious: Robinson Crusoe and Modern Identity. Huskinson, Archetypal Dwelling, Building Individuation. Parker, On Painting, Substance and Psyche. Martinez, Haruki Murakami's Reimagining of Sophocles' Oedipus'. Reiber, Psyche, Imagination and Art. Stephenson, How Myrtle Gordon Addresses Her Suffering: Jung's Concept of Possession and John Cassavetes's Opening Night. Vasileva, The Father, the Dark Child and the Mob that Kills Him: Tim Burton's Representation of the Creative Artist. Part II: Challenging the Critical Space. Fredericksen, Stripping Bare the Images. Bishop, Psyche and Imagination in Goethe and Jung. Almen, Jung's Function-attitudes in Music Composition and Discourse. Connolly, Jung in the Twilight Zone: The Psychological Functions of the Horror Film. Gardner, Writing About Nothing. Part III: Making/Interpreting Art in the World. Giosa, The Poetical Word: Towards an Imaginal Language. Robbins, Healing with the Alchemical Imagination in the Undergraduate Classroom. Paixao Anastacio de Paula, The Serenity of the Senex: Using Brazilian Folk Tales as an Alternative Approach to 'Entrepreneurship' in University Education.
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