Remembering the occupation in French film : national identity in postwar Europe

書誌事項

Remembering the occupation in French film : national identity in postwar Europe

Leah D. Hewitt

(Studies in European culture and history)

Palgrave Macmillan, 2008

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注記

Bibliography: p. [197]-242

Includes index

内容説明・目次

内容説明

When collective memory is a source of national debate, the public representation of history quickly becomes a locus of controversy and ideological struggle. This work shows how French film has allowed for a public airing of current concerns through the lens of memory's recreations of the Occupation.

目次

Acknowledgments Film as Memory: A Battleground for Shaping Identity Transitions before the 'Sorrow': Criticism and Myth in the Late 1950s and Early 1960s Identity Politics in Films of the 1970s Occupational Performances in Truffaut's The Last Metro Ambiguous National Icons in Chabrol's Story of Women Love Stories, Real/Cinematic Heroines, the Postmoderns: The 1980s and Beyond In Lieu of a Conclusion Selective Bibliography Index

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