Local acts : community-based performance in the United States

Author(s)

    • Cohen-Cruz, Jan

Bibliographic Information

Local acts : community-based performance in the United States

Jan Cohen-Cruz

(Rutgers series on the public life of the arts)

Rutgers University Press, c2005

  • : pbk

Available at  / 4 libraries

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Note

Includes bibliographical references (p. 195-203) and index

Description and Table of Contents

Description

An eclectic mix of art, theatre, dance, politics, experimentation, and ritual,community-based performance has become an increasingly popular art movement in the United States. Forged by the collaborative efforts of professional artists and local residents, this unique field brings performance together with a range of political, cultural, and social projects, such as community-organizing, cultural self-representation, and education. Local Acts presents a long-overdue survey of community-based performance from its early roots, through its flourishing during the politically-turbulent 1960s, to present-day popular culture. Drawing on nine case studies, including groups such as the African American Junebug Productions, the Appalachian Roadside Theater, and the Puerto Rican Teatro Pregones, Jan Cohen-Cruz provides detailed descriptions of performances and processes, first-person stories, and analysis. She shows how the ritual side of these endeavors reinforces a sense of community identification while the aesthetic side enables local residents to transgress cultural norms, to question group habits, and to incorporate a level of craft that makes the work accessible to individuals beyond any one community. The book concludes by exploring how community-based performance transcends even national boundaries, connecting the local United States with international theater and cultural movements.

Table of Contents

List of Illustrations Acknowledgments Introduction Part I. Legacies 1. Early Antecedents 2. Motion of the Ocean 3. Establishing the Field Part II. Principles 4. Between Ritual and Art 5. Criticism Part III. Methodologies 6. Storytelling 7. Performance Structures Closing: Boundary Jumping Notes Bibliography Index

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