Six stories from the end of representation : images in painting, photography, astronomy, microscopy, particle physics, and quantum mechanics, 1980-2000
著者
書誌事項
Six stories from the end of representation : images in painting, photography, astronomy, microscopy, particle physics, and quantum mechanics, 1980-2000
Stanford University Press, 2008
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"Published with the assistance of the Art Institute of Chicago"--T.p. verso
Includes index
内容説明・目次
内容説明
James Elkins has shaped the discussion about how we-as artists, as art historians, or as outsiders-view art. He has not only revolutionized our thinking about the purpose of teaching art, but has also blazed trails in creating a means of communication between scientists, artists, and humanities scholars.
In Six Stories from the End of Representation, Elkins weaves stories about recent images from painting, photography, physics, astrophysics, and microscopy. These images, regardless of origin, all fail as representations: they are blurry, dark, pixellated, or otherwise unclear.
In these opaque images, Elkins finds an opportunity to create stories that speak simultaneously to artists and to scientists, and to open both those fields to those of us who have little purchase in either. Regarding each image through the lens of the discipline that produced it, Elkins simultaneously affirms the unique structure of each way of viewing the world and brings those views together into a vibrant conversation.
目次
Contents Acknowledgments 000 Preface 000 Introduction: Methodological Premises of This Book 1 1 Painting 00 2 Photography 00 3 Astronomy 000 4 Microscopy 000 5 Particle Physics 000 6 Quantum Physics 000 Conclusions 000 Notes 000 Index 000
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