Current directions in computer music research

著者

• Mathews, Max V.
• Pierce, John Robinson

書誌事項

Current directions in computer music research

edited by Max V. Mathews and John R. Pierce

（System Development Foundation benchmark series, 2）

MIT Press, 1991, c1989

• : pbk.

注記

Includes bibliographies and index

"First MIT Press paperback edition, 1991" -- t.p. verso

内容説明・目次

内容説明

These twenty-one original contributions by composers, behavioral scientists, engineers, and other specialists from many of the international centers of research in computer music provide an inside report on the most sophisticated aspects of digital synthesis, control and understanding of musical sound, and related work on perception. Among the specific topics covered are speech songs, synthesis of the singing voice, spatial reverberation, the simulation of bowed instruments, and a conductor program utilizing a mechanical baton. A chapter authored jointly by Mathews and Pierce describes a new musical scale they have been working on for the past few years.

目次

• Compositional applications of linear predictive coding, Paul Lansky
• on speech songs, Charles Dodge
• synthesis of the singing voice, Gerald Bennett and Xavier Rodet
• synthesis of singing by rule, Johan Sundberg
• frequency modulation synthesis of the singing voice, John M. Chouning
• spatial reverberation - discussion and demonstrtion, Gary S. Kendall et al
• spatialization of sounds over loudspeakers, F. Richard Moore
• Fourier-transform-based timbral manipulations, Mark Dolson
• VLSI models for sound synthesis, John Wawrzynek
• paradoxical sounds, Jean-Claude Risset
• additive synthesis of inharmonic tones, Jean-Claude Risset
• the Bohlen-Pierce scale, Max V. Mathews and John R. Pierce
• residues and summation tones - what do we hear?, John R. Pierce
• simulating performance on a bowed instrument, Chris Chafe
• automatic counterpoint, William Schottstaedt
• a computer music language, William Schottstaedt
• real-time scheduling and computer accompaniment, Roger Dannenberg
• the conductor program and mechanical baton, Max V. Mathews
• Zivatar - a performance system, Janos Negyesy and Lee Ray
• composing with computers - a survey of some compositional formalisms and music programming languages, Gareth Loy. Appendix: desciption of the sound examples on the accompanying compact disk.

「Nielsen BookData」 より

詳細情報

• NII書誌ID(NCID): BA86913474
• ISBN:
  • 0262631393
• LCCN: 88021777
• 出版国コード: us
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: Cambridge, Mass.
• ページ数/冊数: vi, 432 p.
• 大きさ: 23 cm
• 分類:
  • LCC : ML1380
  • DC19 : 789.9/9
• 件名:
  • LCSH : Computer music -- History and criticism
• 親書誌ID:
  • BA07154312