Sergey Prokofiev and his world
著者
書誌事項
Sergey Prokofiev and his world
(Princeton paperbacks)
Princeton University Press, c2008
- : pbk
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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  ノルウェー
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Sergey Prokofiev (1891-1953), arguably the most popular composer of the twentieth century, led a life of triumph and tragedy. The story of his prodigious childhood in tsarist Russia, maturation in the West, and rise and fall as a Stalinist-era composer is filled with unresolved questions. Sergey Prokofiev and His World probes beneath the surface of his career and contextualizes his contributions to music on both sides of the nascent Cold War divide. The book contains previously unknown documents from the Russian State Archive of Literature and Art in Moscow and the Prokofiev Estate in Paris. The literary notebook of the composer's mother, Mariya Grigoryevna, illuminates her involvement in his education and is translated in full, as are ninety-eight letters between the composer and his business partner, Levon Atovmyan. The collection also includes a translation of Sigizmund Krzhizhanovsky's unperformed stage adaptation of Eugene Onegin, for which Prokofiev composed incidental music in 1936. The essays in the book range in focus from musical sketches to Kremlin decrees.
The contributors explore Prokofiev's time in America; evaluate his working methods in the mid-1930s; document the creation of his score for the film Lieutenant Kizhe; tackle how and why Prokofiev rewrote his 1930 Fourth Symphony in 1947; detail his immortalization by Soviet bureaucrats, composers, and scholars; and examine Prokofiev's interest in Christian Science and the paths it opened for his music. The contributors are Mark Aranovsky, Kevin Bartig, Elizabeth Bergman, Leon Botstein, Pamela Davidson, Caryl Emerson, Marina Frolova-Walker, Nelly Kravetz, Leonid Maximenkov, Stephen Press, and Peter Schmelz.
目次
Preface and Acknowledgments viii SIMON MORRISON Note on Transliteration, Dates, and Titles xii PART I: DOCUMENTS "Look After Your Son's Talents": 2 The Literary Notebook of Mariya Prokofieva INTRODUCTORY ESSAY, COMMENTARY, AND TRANSLATION BY PAMELA DAVIDSON The Krzhizhanovsky-Prokofiev Collaboration on Eugene Onegin, 60 1936 (A Lesser-Known Casualty of the Pushkin Death Jubilee) INTRODUCTORY ESSAY, COMMENTARY, AND TRANSLATION BY CARYL EMERSON Prokofiev and Atovmyan: Correspondence, 1933-1952 190 INTRODUCTION AND COMMENTARY BY NELLY KRAVETZ TRANSLATION BY SIMON MORRISON Prokofiev's Immortalization 285 LEONID MAXIMENKOV PART II: ESSAYS "I Came Too Soon": Prokofiev's Early Career in America 334 STEPHEN D. PRESS Lieutenant Kizhe: New Media, New Means 376 KEVIN BARTIG Observations on Prokofiev's Sketchbooks 401 MARK ARANOVSKY TRANSLATION BY JASON STRUDLER Prokofiev on the Los Angeles Limited 423 ELIZABETH BERGMAN Between Two Aesthetics: The Revision of Pilnyak's Mahogany 452 and Prokofiev's Fourth Symphony MARINA FROLOVA-WALKER After Prokofiev 493 PETER J. SCHMELZ Beyond Death and Evil: Prokofiev's Spirituality and Christian Science 530 LEON BOTSTEIN Permissions and Credits 562 Index 563 Notes on the Contributors 578
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