Kenji Mizoguchi and the art of Japanese cinema
Author(s)
Bibliographic Information
Kenji Mizoguchi and the art of Japanese cinema
Berg, 2008
- : pbk
- : cloth
Available at 24 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Originally published in Japanese as "The world of Kenji Mizoguchi" by Chikuma Shobo Publishing
Mizoguchi's filmography: p. 183-186
Includes index
Description and Table of Contents
Description
Kenji Mizoguchi is one of the three acclaimed masters - together with Yasujiro Ozu and Akira Kurosawa - of Japanese cinema. Kenji Mizoguchi and the Art of Japanese Cinema is the definitive guide to the life and work of one of the greatest film-makers of the twentieth century.Born at the end of the nineteenth century into a wealthy family, Mizoguchi's early life influenced the themes he would take up in his work. His father's ambitious business ventures failed and the family fell into poverty. His mother died and his elder sister was obliged to enter a geisha house to support the family. Her earnings paid for Mizoguchi's education. Weak and deluded men and strong, self-sacrificing women - these were to become the obsessive motifs of Mizoguchi's films.Mizoguchi's apprenticeship in cinema was peculiarly Japanese. His concerns - the role of women and the realist representation of the inequities of Japanese society - were not. Through two World Wars, Japan's culture changed. Though censored, Mizoguchi continued to produce films. It was only in the 1950s that Mizoguchi's astonishing cinematic vision became widely known outside Japan.Kenji Mizoguchi and the Art of Japanese Cinema tells the full story of this famously perfectionist, even tyrannical, director.
Mizoguchi's key films, cinematographic techniques and his social and aesthetic concerns are all discussed and set in the context of Japan's changing popular and political culture.
Table of Contents
1. An Original Spirit 2. Encountering the New Theatre 3. From New Theatre to Naturalism-Realism 4. Social Realism -The Time of Leftist Films - Metropolitan Symphony 5. The Fate of Matinee Idols 6. Man Imitates Art in Life 7. The Three Traditional Art (Geidomono) Films 8. A Difficult Woman 9. Recreating the Classics 10. The Last Works 11. The Dialectic of Camera and Performance 12. Looking Up, Looking Down 13. Yoda Yoshikata Chronology of Life and Work
by "Nielsen BookData"