Envisioning the Tale of Genji : media, gender, and cultural production
著者
書誌事項
Envisioning the Tale of Genji : media, gender, and cultural production
Columbia University Press, c2008
- : cloth
- : pbk
大学図書館所蔵 全47件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [363]-370) and index
内容説明・目次
内容説明
Bringing together scholars from across the world, Haruo Shirane presents a fascinating portrait of The Tale of Genji's reception and reproduction over the past thousand years. The essays examine the canonization of the work from the late Heian through the medieval, Edo, Meiji, Taisho, Showa, and Heisei periods, revealing its profound influence on a variety of genres and fields, including modern nation building. They also consider parody, pastiche, and re-creation of the text in various popular and mass media. Since the Genji was written by a woman for female readers, contributors also take up the issue of gender and cultural authority, looking at the novel's function as a symbol of Heian court culture and as an important tool in women's education. Throughout the volume, scholars discuss achievements in visualization, from screen painting and woodblock prints to manga and anime. Taking up such recurrent themes as cultural nostalgia, eroticism, and gender, this book is the most comprehensive history of the reception of The Tale of Genji to date, both in the country of its origin and throughout the world.
目次
Preface Acknowledgments Note to the Reader 1. The Tale of Genji and the Dynamics of Cultural Production: Canonization and Popularization, by Haruo Shirane Part I. The Late Heian and Medieval Periods: Court Culture, Gender, and Representation 2. Figure and Facture in the Genji Scrolls: Text, Calligraphy, Paper, and Painting, by Yukio Lippit 3. The Tale of Genji and the Development of Female-Spirit No, by Reiko Yamanaka 4. Monochromatic Genji: The Hakubyo Tradition and Female Commentarial Culture, by Melissa McCormick 5. Genre Trouble: Medieval Commentaries and Canonization of The Tale of Genji, by Lewis Cook Part II. Late Medieval and Edo Periods: Warrior Society, Education, and Popular Culture 6. Didactic Readings of The Tale of Genji: Politics and Women's Education, by Haruki Ii 7. Genji Pictures from Momoyama Painting to Edo Ukiyo-e: Cultural Authority and New Horizons, by Keiko Nakamachi 8. The Splendor of Hybridity: Image and Text in Ryutei Tanehiko's Inaka Genji, by Michael Emmerich Part III. The Meiji, Taisho, and Prewar Showa Periods: National Literature, World Literature, and Imperial Japan 9. The Tale of Genji, National Literature, Language, and Modernism, by Tomi Suzuki 10. Wartime Japan, the Imperial Line, and The Tale of Genji, by Masaaki Kobayashi Part IV. The Postwar Showa and Heisei Periods: Visuality, Sexuality, and Mass Culture 11. The Tale of Genji in Postwar Film: Emperor, Aestheticism, and the Erotic, by Kazuhiro Tateishi 12. Sexuality, Gender, and The Tale of Genji in Modern Japanese Translations and Manga, by Yuika Kitamura Chapter Titles of The Tale of Genji Selected Bibliography on The Tale of Genji and Its Reception in English Contributors Index
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