Envisioning the Tale of Genji : media, gender, and cultural production
Author(s)
Bibliographic Information
Envisioning the Tale of Genji : media, gender, and cultural production
Columbia University Press, c2008
- : cloth
- : pbk
Available at 47 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [363]-370) and index
Description and Table of Contents
Description
Bringing together scholars from across the world, Haruo Shirane presents a fascinating portrait of The Tale of Genji's reception and reproduction over the past thousand years. The essays examine the canonization of the work from the late Heian through the medieval, Edo, Meiji, Taisho, Showa, and Heisei periods, revealing its profound influence on a variety of genres and fields, including modern nation building. They also consider parody, pastiche, and re-creation of the text in various popular and mass media. Since the Genji was written by a woman for female readers, contributors also take up the issue of gender and cultural authority, looking at the novel's function as a symbol of Heian court culture and as an important tool in women's education. Throughout the volume, scholars discuss achievements in visualization, from screen painting and woodblock prints to manga and anime. Taking up such recurrent themes as cultural nostalgia, eroticism, and gender, this book is the most comprehensive history of the reception of The Tale of Genji to date, both in the country of its origin and throughout the world.
Table of Contents
Preface Acknowledgments Note to the Reader 1. The Tale of Genji and the Dynamics of Cultural Production: Canonization and Popularization, by Haruo Shirane Part I. The Late Heian and Medieval Periods: Court Culture, Gender, and Representation 2. Figure and Facture in the Genji Scrolls: Text, Calligraphy, Paper, and Painting, by Yukio Lippit 3. The Tale of Genji and the Development of Female-Spirit No, by Reiko Yamanaka 4. Monochromatic Genji: The Hakubyo Tradition and Female Commentarial Culture, by Melissa McCormick 5. Genre Trouble: Medieval Commentaries and Canonization of The Tale of Genji, by Lewis Cook Part II. Late Medieval and Edo Periods: Warrior Society, Education, and Popular Culture 6. Didactic Readings of The Tale of Genji: Politics and Women's Education, by Haruki Ii 7. Genji Pictures from Momoyama Painting to Edo Ukiyo-e: Cultural Authority and New Horizons, by Keiko Nakamachi 8. The Splendor of Hybridity: Image and Text in Ryutei Tanehiko's Inaka Genji, by Michael Emmerich Part III. The Meiji, Taisho, and Prewar Showa Periods: National Literature, World Literature, and Imperial Japan 9. The Tale of Genji, National Literature, Language, and Modernism, by Tomi Suzuki 10. Wartime Japan, the Imperial Line, and The Tale of Genji, by Masaaki Kobayashi Part IV. The Postwar Showa and Heisei Periods: Visuality, Sexuality, and Mass Culture 11. The Tale of Genji in Postwar Film: Emperor, Aestheticism, and the Erotic, by Kazuhiro Tateishi 12. Sexuality, Gender, and The Tale of Genji in Modern Japanese Translations and Manga, by Yuika Kitamura Chapter Titles of The Tale of Genji Selected Bibliography on The Tale of Genji and Its Reception in English Contributors Index
by "Nielsen BookData"