書誌事項

Italian Baroque art

edited by Susan M. Dixon

(Blackwell anthologies in art history, 6)

Blackwell, 2008

  • : hardcover
  • : pbk

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注記

Includes bibliographical references and index

内容説明・目次

巻冊次

: hardcover ISBN 9781405139663

内容説明

This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting the key debates with which art historians continue to grapple. Explores themes including: style or the visuality of art; artistic practices and production; artistic communication as projected and experienced; and artists' interactions with the ancient world and with the new sciences Examines the work of key painters, architects and sculptors from this period, including Caravaggio, Bernini, Guarini and Poussin Published in the expanding Blackwell Anthologies in Art History series

目次

Part I: Appearances. 1. What is Baroque? (Erwin Panofsky). 2. The Idea of the Painter, the Sculptor and the Architect (Pietro Bellori Giovan). 3. Fighting with Style (Phillip Sohm). 4. Bernini's Conception of the Visual Arts: 'Un Bel Composto' (Irving Lavin). 5. Ars Tornandi: Baroque Architecture and the Lathe (Joseph Connors). 6. A Taste for Tiepolo (Alpers, Svetlana and Michael Baxandall). Part II: Artistic Practice, Production and Consumption. 7. Practice in the Carracci Academy (Gail Feigenbaum). 8. Artemisia in Her Father's House (Patrizia Cavazzini). 9. Disegni, Bozzetti, Legnetti and Modelli in Roman Seicento Sculpture (Jennifer Montagu). 10. Architects and Clods: The Emergence of Urban Planning in the Context of Palace Architecture in Seventeenth-Century Rome (Dorothy Metzger Habel). 11. The Mechanics of Seventeenth-Century Patronage (Francis Haskell). 12. Scrambling for Scudi: Notes on Painters' Earnings in Early Baroque Rome (Richard Spear). 13. The Marketing of Pietro Testa's Poetic Inventions (Francesco Consagra). 14.Inside the Palace: People and Furnishings (Patricia Waddy). Part III: Meaning: Conceived and Received. 15. A Comment on the Iconography of Pietro da Cortona's Barberini Ceiling (Walter Vitzthum). 16.Seeing the Shroud: Guarini's Reliquary Chapel in Turin and the Ostentation of a Dynastic Relic (John Beldon Scott). 17. Myth and the New Science: Vico, Tiepolo, and the Language of the Optimates (Christopher Drew Armstrong). 18.Problems of the Theme (Rudolf Wittkower). 19. Devotion and Desire: The Reliquary Chapel of Maria Maddalena de'Pazzi (Karen-Edis Barzman). 20. Pastoralism in the Roman Baroque Villa and in Claude Lorrain (Myths and Realities of the Roman Campagna: Mirka Benes). Part IV: Critique of the Past and the New Science. 21. The Role of Classical Models in Bernini's and Poussin's Preparatory Work (Rudolf Wittkower). 22. The Greek Style and the Prehistory of Neoclassicism (Charles Dempsey). 23. Piranesi and Francesco Bianchini: Capricci in the Service of Pre-Scientific Archaeology (Susan M. Dixon). 24. Cigoli's Immacolata and Galileo's Moon: Astronomy and the Virgin in Early Seicento Rome (Steven F. Ostrow). 25. The Fate of Pictures: Appearance, Truth, and Ambiguity (David Freedberg). 26. Lodoli on Function and Representation (Joseph Rykwert).
巻冊次

: pbk ISBN 9781405139670

内容説明

This anthology presents classic and recent scholarship on Italian art from 1600-1750, highlighting the key debates with which art historians continue to grapple. Explores themes including: style or the visuality of art; artistic practices and production; artistic communication as projected and experienced; and artists' interactions with the ancient world and with the new sciences Examines the work of key painters, architects and sculptors from this period, including Caravaggio, Bernini, Guarini and Poussin Published in the expanding Blackwell Anthologies in Art History series

目次

List of Illustrations ix Preface xi Acknowledgments xiv Part I Appearances 1 1 What is Baroque? 7 Erwin Panofsky 2 The Idea of the Painter, the Sculptor and the Architect 22 Giovan Pietro Bellori 3 Fighting with Style 34 Philip Sohm 4 Bernini's Conception of the Visual Arts: "Un Bel Composto" 51 Irving Lavin 5 Ars Tornandi: Baroque Architecture and the Lathe 57 Joseph Connors 6 A Taste for Tiepolo 65 Svetlana Alpers and Michael Baxandall Part II Artistic Practice, Production and Consumption 81 7 Practice in the Carracci Academy 87 Gail Feigenbaum 8 Artemisia in Her Father's House 98 Patrizia Cavazzini 9 Disegni, Bozzetti, Legnetti and Modelli in Roman Seicento Sculpture 113 Jennifer Montagu 10 Architects and Clods: The Emergence of Urban Planning in the Context of Palace Architecture in Seventeenth-Century Rome 120 Dorothy Metzger Habel 11 The Mechanics of Seventeenth-Century Patronage 133 Francis Haskell 12 Scrambling for Scudi: Notes on Painters' Earnings in Early Baroque Rome 151 Richard E. Spear 13 The Marketing of Pietro Testa's "Poetic Inventions" 169 Francesca Consagra 14 Inside the Palace: People and Furnishings 178 Patricia Waddy Part III Meaning: Conceived and Received 195 15 A Comment on the Iconography of Pietro da Cortona's Barberini Ceiling 201 Walter Vitzthum 16 Seeing the Shroud: Guarini's Reliquary Chapel in Turin and the Ostension of a Dynastic Relic 209 John Beldon Scott 17 Myth and the New Science: Vico, Tiepolo, and the Language of the Optimates 230 Christopher Drew Armstrong 18 Problems of the Theme 251 Rudolf Wittkower 19 Devotion and Desire: The Reliquary Chapel of Maria Maddalena de'Pazzi 265 Karen-Edis Barzman 20 Pastoralism in the Roman Baroque Villa and in Claude Lorrain: Myths and Realities of the Roman Campagna 283 Mirka Benes Part IV Critique of the Past and the New Science 299 21 The Role of Classical Models in Bernini's and Poussin's Preparatory Work 305 Rudolf Wittkower 22 The Greek Style and the Prehistory of Neoclassicism 311 Charles Dempsey 23 Piranesi and Francesco Bianchini: Capricci in the Service of Pre-scientific Archaeology 326 Susan M. Dixon 24 Cigoli's Immacolata and Galileo's Moon: Astronomy and the Virgin in Early Seicento Rome 339 Steven F. Ostrow 25 The Fate of Pictures: Appearance, Truth, and Ambiguity 361 David Freedberg 26 Lodoli on Function and Representation 372 Joseph Rykwert Index 384

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