Checkmate : a ballet in one scene with a prologue
Author(s)
Bibliographic Information
Checkmate : a ballet in one scene with a prologue
Novello, c2007
Printed Music(Full Score)
- Other Title
-
Echec et mat
Schachmatt
Checkmate : complete ballet
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
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  United States of America
Note
MUSIC:Study score
For orchestra
Description and Table of Contents
Description
Arthur Bliss was already a major composer when he was commissioned by the Vic-Wells Ballet in 1937 to provide a score for Checkmate. Although replicating something of the form of the conventional one-act ballet in being an episodic sequence of ensembles and solos within a basic non-narrative theme, Ninette de Valois' ballet used the classical divertissement to create a work of darkness and foreboding. With its striking Prologue, depicting the fateful game of good versus evil, and its violent, martial climax, it was uniquely a ballet for its time. Bliss, fresh from writing the score for the Wells/Korda film Things to Come, would have seemed the perfect choice it depict in music the contradictions of the 1930s and the Machine Age: the promise of scientific progress, aviation, mass communication and the menace of totalitarianism and world war. The score of Checkmate is engraved and published complete for the first time, with preface by Bliss scholar Andrew Burn.
by "Nielsen BookData"