The moral mirror of Roman art
Author(s)
Bibliographic Information
The moral mirror of Roman art
Cambridge University Press, 2008
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"Published with the assistance of the Getty Foundation."
Includes bibliographical references (p. 241-258) and index
Description and Table of Contents
Description
This interdisciplinary study explores the meanings of mirrors and reflections in Roman art and society. When used as metaphors in Roman visual and literary discourses, mirrors had a strongly moral force, reflecting not random reality but rather a carefully filtered imagery with a didactic message. Focusing on examples found in mythical narrative, religious devotion, social interaction and gender relations, Rabun Taylor demonstrates that reflections served as powerful symbols of personal change. Thus, in both art and literature, a reflection may be present during moments of a protagonist's inner or outer transformation.
Table of Contents
- 1. The teaching mirror
- 2. Mirrors mortal and morbid: Narcissus and Hermaphroditus
- 3. DionysiusPerseus.
by "Nielsen BookData"