Screening sex

Author(s)

• Williams, Linda

Bibliographic Information

Screening sex

Linda Williams

（A John Hope Franklin Center book）

Duke University Press, 2008

• : cloth
• : pbk

Note

Includes bibliographical references (p. [379]-395) and index

Description and Table of Contents

Description

For many years, kisses were the only sexual acts to be seen in mainstream American movies. Then, in the 1960s and 1970s, American cinema "grew up" in response to the sexual revolution, and movie audiences came to expect more knowledge about what happened between the sheets. In Screening Sex, the renowned film scholar Linda Williams investigates how sex acts have been represented on screen for more than a century and, just as important, how we have watched and experienced those representations. Whether examining the arch artistry of Last Tango in Paris, the on-screen orgasms of Jane Fonda, or the anal sex of two cowboys in Brokeback Mountain, Williams illuminates the forms of pleasure and vicarious knowledge derived from screening sex.Combining stories of her own coming of age as a moviegoer with film history, cultural history, and readings of significant films, Williams presents a fascinating history of the on-screen kiss, a look at the shift from adolescent kisses to more grown-up displays of sex, and a comparison of the "tasteful" Hollywood sexual interlude with sexuality as represented in sexploitation, Blaxploitation, and avant-garde films. She considers Last Tango in Paris and Deep Throat, two 1972 films unapologetically all about sex; In the Realm of the Senses, the only work of 1970s international cinema that combined hard-core sex with erotic art; and the sexual provocations of the mainstream movies Blue Velvet and Brokeback Mountain. She describes art films since the 1990s, in which the sex is aggressive, loveless, or alienated. Finally, Williams reflects on the experience of screening sex on small screens at home rather than on large screens in public. By understanding screening sex as both revelation and concealment, Williams has written the definitive study of sex at the movies. Linda Williams is Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her books include Porn Studies, also published by Duke University Press; Playing the Race Card: Melodramas of Black and White from Uncle Tom to O. J. Simpson; Viewing Positions: Ways of Seeing Film; and Hard Core: Power, Pleasure, and the "Frenzy of the Visible." A John Hope Franklin Center Book November 424 pages 129 illustrations 6x9 trim size ISBN 0-8223-0-8223-4285-5 paper, $24.95 ISBN 0-8223-0-8223-4263-4 library cloth edition, $89.95 ISBN 978-0-8223-4285-4 paper, $24.95 ISBN 978-0-8223-4263-2 library cloth edition, $89.95

Table of Contents

Acknowledgments vii Introduction 1 1. Of Kissing and Ellipses: The Long Adolescence of American Movies (1896-1963) 25 2. Going All the Way: Carnal Knowledge on American Screens (1961-1971) 68 3. Going Further: Last Tango in Paris, Deep Throat, and Boys in the Sand (1971-1972) 112 4. Make Love, Not War: Jane Fonda Comes Home (1968-1978) 155 5. Hard-Core Eroticism: In the Realm of the Senses (1976) 181 6. Primal Scenes on American Screens (1986-2005) 216 7. Philosophy in the Bedroom: Hard-Core Art since the 1990s 258 Conclusion: Now Playing on a Small Screen near You! 299 Notes 327 Bibliography 379 Index 397

by "Nielsen BookData"

• NCID: BA87511181
• ISBN:
  • 9780822342632
  • 9780822342854
• LCCN: 2008013530
• Country Code: us
• Title Language Code: eng
• Text Language Code: eng
• Place of Publication: Durham
• Pages/Volumes: x, 412 p.
• Size: 25 cm
• Classification:
  • LCC : PN1995.9.S45
  • DC22 : 791.43/6538
• Subject Headings:
  • LCSH : Sex in motion pictures
  • LCSH : Erotic films -- United States -- History and criticism
• Parent Bibliography ID:
  • BA58866842