Doris Salcedo : shibboleth
著者
書誌事項
Doris Salcedo : shibboleth
Tate Publishing, c2007
- タイトル別名
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Shibboleth
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Catalog of the exhibition held at the Tate Modern, London, Oct. 9, 2007-Apr. 6, 2008
Includes bibliographical references
内容説明・目次
内容説明
Doris Salcedo was born in 1958 in Bogota, Colombia, where she continues to live and work. Widely recognised as one of the leading sculptors of her generation, over the past five years Salcedo has increasingly addressed the public sphere in her practice and has completed several large - scale projects around the world. This will be Salcedo's first public commission in the UK.Responding to specific architectural, geographic and political situations, all of Salcedo's projects are grounded in meticulous research, the exact nature of which is mostly hidden by the silent and hauntingly beautiful poetry of her work. Common themes include the destructive force of violence, personal and collective trauma, and the tragedy of human loss.In 2002 over the course of two days Salcedo lowered 280 chairs down the facade of the Palace of Justice in Bogota to pay homage to those killed in a failed guerrilla coup seventeen years earlier. More recently in 2006, Salcedo lined a room in the eighteenth-century Castello di Rivoli, Turin with a brick skin, as a memorial to those excluded from power, both in the past and the present.
These public works are an extension of her earlier sculptures which frequently featured ordinary household objects worn by age such as chairs, tables and wardrobes. Juxtaposing these relics of domestic life with unorthodox materials such as human hair, cement and garments, Salcedo turns familiar objects into visual metaphors for the suffering experienced by victims of violence and injustice.Salcedo's intervention in the vast space of the Turbine Hall will be among her largest and most dramatic projects yet and is certain to attract worldwide media attention.
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