Music as discourse : semiotic adventures in romantic music
Author(s)
Bibliographic Information
Music as discourse : semiotic adventures in romantic music
（Oxford studies in music theory / series editor Richard Cohn）
Oxford University Press, 2009
- : alk. paper
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Note
Includes bibliographical references (p. 321-330) and index
Contents of Works
- Music as language
- Criteria for analysis I
- Criteria for analysis II
- Bridges to free composition
- Paradigmatic analysis
- Liszt, Orpheus (1853-1854)
- Brahms, Intermezzo in E minor, op. 119, no. 2 (1893), and Symphony no. 1/ii (1872-1876)
- Mahler, Symphony no. 9/i (1908-1909)
- Beethoven, string quartet, op. 130/i (1825-1826), and Stravinsky, Symphonies of wind instruments (1920)
- Epilogue
