The enlightened eye : Goethe and visual culture

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書誌事項

The enlightened eye : Goethe and visual culture

edited by Evelyn K. Moore and Patricia Anne Simpson

（Amsterdamer Beiträge zur neueren Germanistik, 62）

Rodopi, 2007

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注記

Based on a session organized for the German Studies Association Conference held in New Orleans in 2003

Includes bibliographical references and index

HTTP:URL=http://www.loc.gov/catdir/toc/fy0715/2007444176.html Information=Table of contents only

内容説明・目次

内容説明

Poets, painters, philosophers, and scientists alike debated new ways of thinking about visual culture in the "long eighteenth century". The essays in The Enlightened Eye: Goethe and Visual Culture demonstrate the extent to which Goethe advanced this discourse in virtually all disciplines. The concept of visuality becomes a constitutive moment in a productive relationship between the verbal and visual arts with far-reaching implications for the formation of bourgeois identity, pedagogy, and culture. From a variety of theoretical perspectives, the contributors to this volume examine the interconnections between aesthetic and scientific fields of inquiry involved in Goethe's visual identity. By locating Goethe's position in the examination of visual culture, both established and emerging scholars analyze the degree to which visual aesthetics determined the cultural production of both the German-speaking world and the broader European context. The contributions analyze the production, presentation, and consumption of visual culture defined broadly as painting, sculpture, theater, and scientific practice. The Enlightened Eye promises to invest new energy and insight into the discussion among literary scholars, art historians, and cultural theorists about many aspects of visual culture in the Age of Goethe.

目次

Acknowledgements Abbreviations Introduction Patricia Anne SIMPSON and Evelyn K. MOORE: The Enlightened Eye: Visual Culture in the Age of Goethe I.Visions/Revisions of the Neoclassical Aesthetic Melissa DABAKIS: Angelika Kauffmann, Goethe, and the Arcadian Academy in Rome Catriona MACLEOD: Sweetmeats for the Eye: Porcelain Miniatures in Classical Weimar Beate ALLERT: Goethe, Runge, Friedrich: On Painting Margaretmary DALEY: The Gendered Eye of the Beholder: The Co-ed Art History of the Jena Romantics Mary Helen DUPREE: Elise in Weimar: "Actress-Writers" and the Resistance to Classicism Patricia Anne SIMPSON: Visions of the Nation: Goethe, Karl Friedrich Schinkel, and Ernst Moritz Arndt II. The Violence of Vision: Science, Technology, and the Stage of Language Evelyn K. MOORE: Goethe and Lavater: A Specular Friendship Elliott SCHREIBER: Towards an Aesthetics of the Sublime Augenblick: Reading Karl Philipp Moritz Reading Goethe's Die Leiden des jungen Werthers Clark S. MUENZER: Fugitive Images and Visual Memory in Goethe's Discourse on Color Eric Hadley DENTON: The Technological Eye: Theater Lighting and Guckkasten in Michaelis and Goethe Astrida Orle TANTILLO: The Subjective Eye: Goethe's Farbenlehre and Faust Heide CRAWFORD: Poetically Visualizing Urgestalten. The Union of Nature, Art, and the Love of a Woman in Goethe's "Die Metamorphose der Pflanzen" Richard BLOCK: Scribbles from Italy: Cy Twombly's Experiment in Seeing Goethe See Language III. Appendix Notes on the Contributors Index

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