Seeing tongues, hearing scripts : orality and representation in the ancient novel
著者
書誌事項
Seeing tongues, hearing scripts : orality and representation in the ancient novel
（Ancient narrative, Supplementum ; 7）
Barkhuis , Groningen University Library, 2007
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references and index
収録内容
- Orality and authority in Xenophon of Ephesus / Jason König
- Omero e la sibilla. Mimesi e oralità nella Cena Trimalchionis / Andrea Cucchiarelli
- The inward turn: writing, voice and the imperial author in Petronius / Victoria Rimell
- Visualising drama, oratory and truthfulness in Apuleius Metamorphoses 3 / Regine May
- Vocis immutatio: the Apuleian Prologue and the pleasures and pitfalls of vocal versatility / Wytse Keulen
- The ass's ears and the novel's voice. Orality and the involvement of the reader in Apuleius' Metamorphoses / Luca Graverini
- Advertising one's own story. Text and speech in Achilles Tatius' Leucippe and Clitophon / Marko Marinčič
- La voix et la main: la lettre intime dans Chéréas et Callirhoé / Patrick Robiano
- Poiein aischra kai legein aischra, est ce vraiment la même chose? Ou la bouche souilée de Chariclée / Romain Brethes
- 'Novels in the Greek letter': Inversions of the written-oral hierarchy in the Briefroman 'Themistocles' / Owen Hodkinson
- Divine epistemology: the relationship between speech and writing in the Aithiopika / Kathryn Chew
- Fixity and fluidity in Apollonius of Tyre / Stelios Panayotakis
内容説明・目次
内容説明
The Greek and Roman novels can be seen as an important transitional moment in the trajectory from performance to reading, from oralism to textuality, that has underpinned the history of discourse in European consciousness since the 5th century BC. In different and intriguing ways, they explore the contrast, tension, conflict, competition or dialogue between modes of discourse, which frame the novel's concern with identity and self-fashioning, as well as advertising innovation more generally.This volume brings together an international group of scholars interested in ancient and modern constructions of orality and writing and how they are reflected and manipulated in the ancient novel. The essays deal not only with questions of genre, oral poetics and traditions, but also with how various ways of pitting or collapsing modes of representation can become loaded articulations of wider world-views, of cultural, literary, epistemological anxieties and aspirations. The contributors focus in particular on issues surrounding theatricality, gender identity, rhetorical performance, epistolarity, monumentality and power in the ancient novel.
「Nielsen BookData」 より