Fifty second grade studies : from the following composers Beethoven, Berens, Biehl, Burgmuller, Concone, Czerny, Diabelli, Dubernoy, Gurlitt, Handel, Haydn, Hummel, Köhler, Kühner, Le Couppey, Lemoine, Löschhorn, Mozart, Reinecke, Spindler, Streabbog, Thompson, Wolff
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書誌事項
Fifty second grade studies : from the following composers Beethoven, Berens, Biehl, Burgmuller, Concone, Czerny, Diabelli, Dubernoy, Gurlitt, Handel, Haydn, Hummel, Köhler, Kühner, Le Couppey, Lemoine, Löschhorn, Mozart, Reinecke, Spindler, Streabbog, Thompson, Wolff
Willis Music Co., c1944
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注記
"Supplementary material for use with John Thompson's Modern course for the piano"
収録内容
- Fifty-finger legato / Czerny
- Two-note slurs / Le Couppey
- Five-finger legato (used as accompaniment) / Löschhorn
- Broken chords (phrased in twos) / Gurlitt
- Five-finger rolling attack / Czerny
- Left hand melody playing / Gurlitt
- Broken chords (divided between the hands) / Gurlitt
- Five-finger legato / Köhler
- Five-finger group used as melody / Gurlitt
- Five-finger legato (left hand) / Spindler
- Five-finger group used as melody / Löschhorn
- Broken chords (divided between the hands) / J. Thompson
- Right hand scale figures / Czerny
- Descending scale figures (right hand) / Gurlitt
- Scale figures (left hand) / Köhler
- Scale figures (both hand) / Kühner
- Broken chord and scale figures (right hand) / Lemoine
- Wrist staccato / Streabbog
- Alternating legato and staccato / Czerny
- Legato scale passages (right hand) / Beihl
- Broken chords (rolling attack) / Gurlitt
- Left hand accompaniment figures / Köhler
- Mazurka / Czerny
- Mixed figures (legato) / Wolff
- Broken triads (legato) / Köhler
- Broken-chord passages (divided between the hands) : from Sonata in C / Mozart
- Contrasting legato and staccato / Czerny
- Study in style (employing scale figures) / Duvernoy
- Study in style / Biehl
- Left hand broken chords (used as accompaniment) : from Sonata in C / Mozart
- March (employing left hand scale figures) / Berens
- Descending broken chords (divided between the hands) / Berens
- Scherzino (study in style) / Lemoine
- Strict legato / Burgmüller
- The mordent / Concone
- From Rondo in C / Beethoven
- Staccato chords / Concone
- Study in style / Reinecke
- From Rondo / Diabelli
- Mixed chromatic and diatonic figures / Lemoine
- The mordent / Le Couppey
- Scherzino (study in style) / Lemoine
- Scale passages : from Sonatina op. 49, no. 2 / Beethoven
- Two-note slurs / Handel
- Left hand legato playing / Czerny
- Study in style / Burgmüller
- From Scherzo / Hummel
- Diatonic sweeps / Berens (adapted)
- Variation on the mordent figure / Duvernoy
- From Rondo / Haydn
