Zimbabwean transitions : essays on Zimbabwean literature in English, Ndebele and Shona
Author(s)
Bibliographic Information
Zimbabwean transitions : essays on Zimbabwean literature in English, Ndebele and Shona
（Matatu, 34）
Rodopi, 2007
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Note
Includes bibliographical references
Contents of Works
- Great Zimbabwe in Rhodesian Fiction / Anthony Chennells
- Knowing Native, Going Native: Cognitive Borderlines and the Sense of Belonging in Doris Lessing's African Laughter and Dan Jacobson's The Electronic Elephant
- Representing the Past in the Present: Timelessness of the Ndebele Royal Praises / Beverlyn Dube
- Inkos' uLobengula yasinyamalala: The Attitude to Tradition in Ndebele Theoretical Writing / Alena Rettová
- The Significance of Ndebele Historical Fiction / Samukele Hadebe
- The Changing Roles of Women in siNdebele Literature / Tommy Matshakayile-Ndlovu / The Portrayal of Women in Stanley Nyamfukudza's Works / Tommy Matshakayile-Ndlovu / The Portrayal of Women in Stanley Nyamfukudza's Works / Mbongeni Z. Malaba
- Coming Unstuck: Masculine Identities in Postcolonial Zimbabwean Fiction / Patricia Alden
- The Fourth Dimension: Dambudzo Marechera as a Dramatist - An Analysis of Two Plays / Owen S. Seda
- Modern Shona Literature as a Site of Struggle, 1956-2000 / Emmanuel M. Chiwome
- From a "Puny Domesticity" to Topical Commitment: Trends in the Development of Shona Written Drama Since 1968 / Kennedy C. Chinyowa
- "Spirit of Place": Mungoshi's Rolling World / Rosemary Gray
- The Zimbabwe International Book Fair / Virginia Phiri
- "You need to Have the Idea, the Vision, and the Passion": An Interview with Irene Staunton
- Words of Praise for Yvonne Vera: On the Occasion of the Award of the LiBeratur Prize for Her Novel Butterfly Burning in German Translation Under the Title Schmetterling in Flammen, Frankfurt am Main, Germany, 6 October 2002 / Geoffrey V. Davis
Description and Table of Contents
Description
This collection of essays on Zimbabwean literature brings together studies of both Rhodesian and Zimbabwean literature, spanning different languages and genres. It charts the at times painful process of the evolution of Rhodesian/ Zimbabwean identities that was shaped by pre-colonial, colonial and post-colonial realities. The hybrid nature of the society emerges as different writers endeavour to make sense of their world.
Two essays focus on the literature of the white settler. The first distils the essence of white settlers' alienation from the Africa they purport to civilize, revealing the delusional fixations of the racist mindset that permeates the discourse of the "white man's burden" in imperial narratives. The second takes up the theme of alienation found in settler discourse, showing how the collapse of the white supremacists' dream when southern African countries gained independence left many settlers caught up in a profound identity crisis.
Four essays are devoted to Ndebele writing. They focus on the praise poetry composed for kings Mzilikazi and Lobengula; the preponderance of historical themes in Ndebele literature; the dilemma that lies at the heart of the modern Ndebele identity; and the fossilized views on gender roles found in the works of leading Ndebele novelists, both female and male.
The essays on English-language writing chart the predominantly negative view of women found in the fiction of Stanley Nyamfukudza, assess the destabilization of masculine identities in post-colonial Zimbabwe, evaluate the complex vision of life and "reality" in Charles Mungoshi's short stories as exemplified in the tragic isolation of many of his protagonists, and explore Dambudzo Marechera's obsession with isolated, threatened individuals in his hitherto generally neglected dramas.
The development of Shona writing is surveyed in two articles: the first traces its development from its origins as a colonial educational tool to the more critical works of the post-1980 independence phase; the second turns the spotlight on written drama from 1968 when plays seemed divorced from the everyday realities of people's lives to more recent work which engages with corruption and the perversion of the moral order.
The volume also includes an illuminating interview with Irene Staunton, the former publisher of Baobab Books and now of Weaver Press.
Table of Contents
Mbongeni Z. MALABA: Introduction
Anthony CHENNELLS: Great Zimbabwe in Rhodesian Fiction
John MCALLISTER: Knowing Native, Going Native: - Cognitive Borderlines and the Sense of Belonging in Doris Lessing's African Laughter and Dan Jacobson's The Electronic Elephant
Bevelyn DUBE: Representing the Past in the Present: - The Timelessness of the Ndebele Royal Praises
Alena RETTOVA: Inkos' uLobengula yasinyamalala: - The Attitude to Tradition in Ndebele Theoretical Writing
Samukele HADEBE: The Significance of Ndebele Historical Fiction
Tommy MATSHAKAYILE-NDLOVU: The Changing Roles of Women in siNdebele Literature
Mbongeni Z. MALABA: The Portrayal of Women in Stanley Nyamfukudza's Works
Patricia ALDEN: Coming Unstuck: - Masculine Identities in Postcolonial Zimbabwean Fiction
Owen S. SEDA: The Fourth Dimension: Dambudzo Marechera as a Dramatist - An Analysis of Two Plays
Emmanuel M. CHIWOME: Modern Shona Literature as a Site of Struggle 1956-2000
Kennedy CHINYOWA: From a "Puny Domesticity" to Topical Commitment: - Trends in the Development of Shona Written Drama Since 1968
Rosemary GRAY: "Spirit of Place": - Mungoshi's Rolling World
Virginia PHIRI: The Zimbabwe International Book Fair (ZIBF)
Annelie KLOTHER: "You need to have the idea, the vision, and the passion": - An Interview with Irene Staunton
Geoffrey V. DAVIS: Words of Praise for Yvonne Vera: - On the Occasion of the Award of the LiBeratur Prize For Her Novel Butterfly Burning in German Translation Under the Title Schmetterling in Flammen, Frankfurt am Main, Germany, 6 October 2002
Book Reviews by Meg SAMUELSON and Christine MATZKE
Notes on Contributors and Editors
Notes for Contributors
by "Nielsen BookData"
