Ruin and restitution : reinterpreting romanticism in Spain
著者
書誌事項
Ruin and restitution : reinterpreting romanticism in Spain
Liverpool University Press, 1997
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
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注記
Includes bibliographical references (p. 167-169) and index
内容説明・目次
内容説明
To the author of this work, Spanish romanticism is exclusively a conservative affair, since in his view Spain missed the "high romanticism" that characterizes the writing of many European authors of the late-18th and early-19th centuries. He presents a "restitutional" theory of that period in Spanish cultural and political history. Against the predominant belief in the existence of a liberal, progressive high romanticism in 19th-century Spain, Silver confirms the existence of an historical, conservative, politically interested romanticism. He also sets out to show that even someone such as Bequer was more of a pre-romantic writer, as indicated by his conservative political views, his unselfconscious incorporation of the Enlightenment's sublime, and his use of rhetorical devices. On the other hand, a poet such as Luis Cernuda achieved high romanticism, but not until well into the 20th century - and not as a culmination of any continuous Spanish "tradition", but from the imported ruins of the old European romanticism.
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