Women, celebrity, and literary culture between the wars
著者
書誌事項
Women, celebrity, and literary culture between the wars
(Literary modernism series / Thomas F. Staley, editor)
University of Texas Press, 2007
1st ed
- : cloth
- タイトル別名
-
Women, celebrity, & literary culture between the wars
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [233]-249
Includes index
内容説明・目次
内容説明
As mass media burgeoned in the years between the first and second world wars, so did another phenomenon-celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work. Women, Celebrity, and Literary Culture between the Wars profiles seven American, Canadian, and British women writers-Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield-who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today. Faye Hammill investigates how the fame and commercial success of these writers-as well as their gender-affected the literary reception of their work. She explores how women writers sought to fashion their own celebrity images through various kinds of public performance and how the media appropriated these writers for particular cultural discourses.
She also reassesses the relationship between celebrity culture and literary culture, demonstrating how the commercial success of these writers caused literary elites to denigrate their writing as "middlebrow," despite the fact that their work often challenged middle-class ideals of marriage, home, and family and complicated class categories and lines of social discrimination. The first comparative study of North American and British literary celebrity, Women, Celebrity, and Literary Culture between the Wars offers a nuanced appreciation of the middlebrow in relation to modernism and popular culture.
目次
Acknowledgments Introduction 1. "How to tell the difference between a Matisse painting and a Spanish omelette": Dorothy Parker, Vogue, and Vanity Fair 2. "Brains are really everything": Anita Loos's Gentlemen Prefer Blondes 3. "A plumber's idea of Cleopatra": Mae West as Author 4. "Astronomers located her in the latitude of Prince Edward Island": L. M. Montgomery, Anne of Green Gables, and Early Hollywood 5. "The best product of this century": Margaret Kennedy's The Constant Nymph 6. "Literature or just sheer flapdoodle?": Stella Gibbons's Cold Comfort Farm 7. "Wildest hopes exceeded": E. M. Delafield's Diary of a Provincial Lady Conclusion Notes Bibliography Index
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