The philosophy of science fiction film
著者
書誌事項
The philosophy of science fiction film
（The philosophy of popular culture）
University Press of Kentucky, c2008
- : hbk.
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
In Hollywood, the science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, regularly drawing large crowds and generating even larger profits. Science fiction films not only give viewers a glimpse into alternative realities but also explore various philosophical questions and themes, including the paradoxes of time travel, enigmas of personal identity, the significance of paranoia, the implications of advanced technology and artificial intelligence, and the meaning of life. The contributors to "The Philosophy of Science Fiction Film" use classic movies from the science fiction genre to explore complex philosophical themes and concepts in a unique and accessible way.
目次
- What Is It to Be Human? Blade Runner and Dark City Deborah Knight and George McKnight
- Recalling the Self: Personal Identity in Total Recall Shai Biderman
- Picturing Paranoia: Interpreting Invasion of the Body Snatchers Steven M. Sanders
- The Existential Frankenstein Jennifer McMahon
- Technology and Ethics in The Day the Earth Stood Still Aeon J. Skoble
- Paradoxes of Time Travel in The Terminator and 12 Monkeys William J. Devlin
- 2001: A Philosophical Odyssey Kevin L. Stoehr
- The Terminator: Fear and the Paradox of Fiction Jason Holt
- The Dialectic of Enlightenment in Metropolis Jerold J. Abrams
- Imagining the Future and Contemplating the Past: The Screen Versions of 1984 R. Barton Palmer
- Disenchantment and Rebellion in Alphaville Alan Woolfolk
- The Matrix, the Cave, and the Cogito Mark T. Conard.
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