Shakespeare, film studies, and the visual cultures of modernity
著者
書誌事項
Shakespeare, film studies, and the visual cultures of modernity
Palgrave Macmillan, 2008
1st ed
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注記
Includes bibliographical references (p. [293]-309) and index
収録内容
- What's in a name? or, something like an introduction
- Reconstituting King John : Victorian theatrical photorealism and the protocinema of adaptation
- Featuring the bard : Frederick Warde's Shakespeare and the transformation of American cinema
- The exfoliating folio, or, transnational and international avant-gardes from Bernhardt's Hamlets to Hollywood's Europeans
- Genre, style, and the politique des auteurs : Orson Welles versus "William Shakespeare"
- Six authors in search of a text : the Shakespeares of Van Sant, Branagh, Godard, Pasolini, Greenaway, and Luhrmann
内容説明・目次
内容説明
This book is the first in-depth cultural history of cinema's polyvalent and often contradictory appropriations of Shakespearean drama and performance traditions. The author argues that these adapatations have helped shape multiple aspects of film, from cinematic style to genre and narrative construction.
目次
Introduction Reconstituting King John Screening Hamlet's Aura Featuring the Bard Avant-garde Shakespeares Genre, Style, and the "Politique des Auteurs" in Orson Welles's Shakespeare Text, Intertext, Subtext and Post-Modern Approaches to Shakespeare
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