Between two worlds : the Jewish presence in German and Austrian film, 1910-1933
Author(s)
Bibliographic Information
Between two worlds : the Jewish presence in German and Austrian film, 1910-1933
(Film Europa : German cinema in an international context, vol. 3)
Berghahn, 2007
- : pbk.
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
First published in 2005, first paperback edition published in 2007.
Bibliography: p.[215]-218
Includes and index
Description and Table of Contents
Description
Jews have been well represented in the cinema industry from the beginning of the film era: behind the screen, as producers, distributors, directors, script-writers, composers, set designers; and on the screen, as Jewish actors and as named Jewish characters in the film's plot. Some of these characters are fictional; others, ranging from Rabbi Loew of Prague to Ferdinand Lassalle and Alfred Dreyfus, have a historic original. This book examines how a variety of German and Austrian films treat aspects of Jewish life, at home and in the synagogue, and Jewish interaction with fellow Jews in different cultural environments; conflicts and accommodations between Jews and non-Jews at various times, ranging from the medieval to the contemporary. The author, one of the best known scholars in film history, theory and criticism, offers the reader a rich panorama of the many Jews involved in all spheres of the cinema and who, as the author reminds us repeatedly, together with their non-Jewish contemporaries, created a great industry and new forms of art.
Table of Contents
Preface
Acknowledgements
Chapter 1. Preparing the Ground
Chapter 2. Dramas and Melodramas of the 'Silent' Period
Chapter 3. Comedies of the 'Silent' Period
Chapter 4. 'Enlightenment' Films (Sittenfilme)
Chapter 5. 1929: A Year of Transition
Chapter 6. Ironic Realism
Chapter 7. Late Comedies
Chapter 8. Confrontations and Enmities
Chapter 9. A New Film Musical
Epilogue
Appendix
Bibliography
Index
by "Nielsen BookData"