Interpreting Mozart : the performance of his piano pieces and other compositions
著者
書誌事項
Interpreting Mozart : the performance of his piano pieces and other compositions
Routledge, c2008
2nd ed
- : hardcover
- : pbk
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注記
Revised and expanded edition of Interpreting Mozart on the keyboard
Includes bibliographical references (p. 455-462) and indexes
内容説明・目次
- 巻冊次
-
: hardcover ISBN 9780415977500
内容説明
Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart's music, addressing the elements of performance and problems that may occur in performing Mozart's works on modern instruments.
目次
Introduction 1 Mozart's World of Sound 2 Dynamics 3 Problems of Tempo and Rhythm 4 Articulation 5 Ornaments 6 Improvised Embellishments 7 Cadenzas and Lead-Ins (Eingange) 8 "Expression and Gusto" 9 In Search of the Best Text 10 Playing with Orchestra 11 Some Technical Questions in the Piano Works 12 Remarks on the Interpretation of Selected Piano Works Appendix 1 Appendix 2 Appendix 3
- 巻冊次
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: pbk ISBN 9780415977517
内容説明
Paul Badura-Skoda is considered to be one of the great pianists of his generation, as well as an important scholar who has created definitive editions of many of the works of the Viennese masters, most notably Wolfgang Amedeus Mozart. With his wife, the noted musicologist Eva Badyra-Skoda, he wrote the highly influential Interpreting Mozart on the Keyboard, first published in German in 1957, then in English and Japanese in 1962 and 1963, respectively. Long out of print, this important work has never been updated to reflect the last half-century of scholarship on Mozart's music. Now, the husband and wife team have tackled this project, producing an entirely new text that will serve students and scholars of keyboard literature and of the great composer.
目次
Introduction 1. Mozart's World of Sound 2. Dynamics 3. Problems of Tempo and Rhythm 4. Articulation 5. Ornaments 6. Improvised Embellishments 7. Cadenzas and Lead-Ins 8. "Expression und Gusto" 9. In Search of the Best Text 10. Playing with Orchestra 11. Some Technical Questions 12. Remarks on the Interpretation of Selected Piano Works Appendix 1: Reports about the proper Tempo of Pamina's Aria "Ach, ich fuhl's..." Appendix 2: An Example of "Basso Continuo" playing in the Concerto K 414
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