Sound figures of modernity : German music and philosophy
著者
書誌事項
Sound figures of modernity : German music and philosophy
University of Wisconsin Press, c2006
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references and index
収録内容
- German music and philosophy : an introduction / Jost Hermand and Gerhard Richter
- Doppelbewegung : the musical movement of philosophy and the philosophical movement of music / Lydia Goehr
- Brazen wheels : F.W.J. Schelling on the origin of music and tragedy / David Farrell Krell
- The will as world and music : Arthur Schopenhauer's philosophy of music / Ludger Lütkehaus
- The ring as deconstruction of modernity : reading Wagner with Benjamin / Samuel Weber
- "Not mere music" : Nietzsche and the problem of moral content in music / Margaret Moore and Rebekah Pryor Paré
- Bloch's dream, music's traces / Gerhard Richter
- Dissonance and aesthetic totality : Adorno reads Schönberg / Beatrice Hanssen
- Thomas Mann : pro and contra Adorno / Hans Rudolf Vaget
- The composer as dialectical thinker : Hanns Eisler's philosophical reflections on music / Albrecht Betz
- Double mimesis : Georg Lukács's philosophy of music / Jost Hermand
内容説明・目次
内容説明
The rich conceptual and experiential relays between music and philosophy - echoes of what Theodor W. Adorno once called Klangfiguren, or ""sound figures"" - resonate with heightened intensity during the period of modernity that extends from early German Idealism to the Critical Theory of the Frankfurt School. This volume traces the political, historical, and philosophical trajectories of a specifically German tradition in which thinkers take recourse to music, both as an aesthetic practice and as the object of their speculative work. The contributors examine the texts of such highly influential writers and thinkers as Schelling, Schopenhauer, Nietzsche, Bloch, Mann, Adorno, and Lukacs in relation to individual composers including Beethoven, Wagner, Schonberg, and Eisler. Their explorations of the complexities that arise in conceptualizing music as a mode of representation and philosophy as a mode of aesthetic practice thematize the ways in which the fields of music and philosophy are altered when either attempts to express itself in terms defined by the other.
「Nielsen BookData」 より