Renaissance faces : Van Eyck to Titian
著者
書誌事項
Renaissance faces : Van Eyck to Titian
National Gallery, 2008
- : hbk
- : pbk
大学図書館所蔵 全17件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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  ノルウェー
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注記
Catalogue of the exhibition, held at National Gallery, London, Oct. 15, 2008-Jan. 18, 2009
Includes bibliography (p. 291-299) and index
内容説明・目次
内容説明
This comprehensive survey traces the development of portrait painting in Northern and Southern Europe during the Renaissance, when the genre first flourished. These two regions developed their own distinct styles and techniques but were also influenced by one another in fascinating ways. In essays that focus on the intriguing relationship between artists working in Italy and northern Europe, renowned specialists analyze the notion of likeness--which, during this time, was based not only on accurate reference for posterity but also incorporated all aspects of human life, including propaganda, power, courtship, love, family, ambition, and hierarchy--through magnificent works by artists including Giovanni Bellini, Sandro Botticelli, Lucas Cranach, Albrecht Durer, Jan van Eyck, Leonardo da Vinci, and Titian, among many others.
The authors address different portrait types, styles, techniques, and iconographies, and discuss the connections between painting and sculpture and portrait medals. This stunning book also addresses the evolution of the full-length portrait and the "anti-ideal" in counter-portraits, which depict court jesters and dwarves. In these often satirical representations, painters could show off their skills as recorders of likeness without the restrictions imposed by idealization.
Published by the National Gallery Company/Distributed by Yale University Press
Exhibition Schedule:
National Gallery, London
(10/15/08-01/08/09)
Museo Nacional del Prado
(06/03/09-09/07/09)
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