Asian American modern art : shifting currents, 1900-1970
Author(s)
Bibliographic Information
Asian American modern art : shifting currents, 1900-1970
Fine Arts Museums of San Francisco , University of California Press, 2008
Available at 5 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Catalog of an exhibition held at Fine Arts Museum of San Francisco, de Young Museum, Oct. 25, 2008-Jan. 18, 2008 and at The Noguchi Museum, Long Island City, New York, Feb. 18-Aug. 23, 2009
Includes bibliographical references and index
Description and Table of Contents
Description
This beautifully illustrated volume, companion book to the exhibition of the same name, presents the first comprehensive survey of work produced by artists of Asian descent in America during the first seven decades of the twentieth century. Featuring examples across many media and extending beyond ethnicity, "Asian/American/Modern Art" brings into focus an underrepresented and vital group within American art. Introduced by historian Gordon H. Chang and cocurator Mark Dean Johnson, with contributions by cocurator Daniell Cornell and Karin Higa, Sharon Spain, and ShiPu Wang, the book follows the exhibition's multiethnic and multidisciplinary approach.Rather than defining an Asian American art aesthetic, "Asian/American/Modern Art" highlights the stylistic tensions and artistic influences apparent in the work of major artists including Chiura Obata, Yun Gee, Ruth Asawa, Isamu Noguchi, Nam June Paik, and Carlos Villa. Two areas of emphasis, the modernist matrix of the early twentieth century and the post-World War II period wherein artists developed new approaches, support the book's recurring themes of war and peace, urban life and community.
This powerful book represents a major rewriting of American art history to include a population of artists whose significant contributions to twentieth-century American art have been, until now, largely ignored.
by "Nielsen BookData"