Framed : the new woman criminal in British culture at the fin de siècle
著者
書誌事項
Framed : the new woman criminal in British culture at the fin de siècle
(Digital culture books)
University of Michigan Press : University of Michigan Library, c2008
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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注記
Filmography: p. 253
Bibliography: p. 255-272
Includes index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780472050444
内容説明
Framed uses fin de siecle British crime narrative to explore a central question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? In this elegantly argued study, Elizabeth Carolyn Miller examines popular literary and cinematic culture of the fin de siecle era - roughly 1880 to 1914 - to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. Drawing on a rich body of archival material, including films and novels, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity which enabled her to subvert legal authority in both the public and the private spheres.By introducing us to the New Woman Criminal, Framed offers a profoundly different view of the fin de siecle British crime narrative
- 巻冊次
-
ISBN 9780472070442
内容説明
Framed uses fin de siecle British crime narrative to explore a central question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? In this elegantly argued study, Elizabeth Carolyn Miller examines popular literary and cinematic culture of the fin de siecle era - roughly 1880 to 1914 - to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. Drawing on a rich body of archival material, including films and novels, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity which enabled her to authority in both the public and the private spheres.By introducing us to the New Woman Criminal, ""Framed"" offers a profoundly different view of the fin de siecle British crime narrative.
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