Mozart on the stage
Author(s)
Bibliographic Information
Mozart on the stage
Cambridge University Press, 2009
- : hbk
- : pbk
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Note
Bibliography: p. 261-269
Includes index
Description and Table of Contents
Description
Presenting a fresh approach to Mozart's achievements as a composer for the stage, John A. Rice outlines the composer's place in the operatic culture of his time. The book tells the story of how Mozart's operas came into existence, following the processes that Mozart went through as he brought his operas from commission to performance. Chapters trace the fascinating series of interactions that took place between Mozart and librettists, singers, stage designers, orchestras, and audiences. In linking the operas by topic, Rice emphasizes what Mozart's operas have in common, regardless of when he wrote them and the genres to which they belong. Overall, the book demonstrates how Mozart's entire operatic oeuvre is the product of a single extraordinary mind and a single pan-European operatic culture.
Table of Contents
- Preface
- 1. Mozart in the theater
- 2. Mozart's operas: function, genres, archetypes
- 3. Commissions, fees, and the origins of Mozart's operas
- 4. Mozart and his librettists
- 5. Composition
- 6. Mozart and his singers
- 7. Rehearsal, revision, and promotion
- 8. Theaters and stage design
- 9. The audience
- 10. Performance and reception.
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