Borderless Beckett : Tokyo 2006 Beckett sans frontières : Tokyo 2006

著者

    • Okamuro, Minako

書誌事項

Borderless Beckett : Tokyo 2006 = Beckett sans frontières : Tokyo 2006

edited by Minako Okamuro ... [et al.] = édité par Minako Okamuro ... [et al.]

(Samuel Beckett today : an annual bilingual review = Samuel Beckett aujourd'hui : revue annuelle bilingue, 19)

Rodopi, 2008

大学図書館所蔵 件 / 5

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注記

Essays and table of contents in English or French

"The essays published in this volume are revised selections from the Symposium held at Waseda University from 29 September to 1 October, 2006, under the auspices of the 21st Century COE Institute for Theatre Research at Waseda and the Samuel Beckett Research Circle of Japan"--Introd

Includes bibliographical references

内容説明・目次

内容説明

SBT/A 19 features selected papers from the Borderless Beckett / Beckett sans frontieres Symposium held in Tokyo at Waseda University in 2006. The essays penned by eminent and young scholars from around the world examine the many ways Beckett's art crosses borders: coupling reality and dream, life and death, as in Japanese Noh drama, or transgressing distinctions between limits and limitlessness; humans, animals, virtual bodies, and stones; French and English; words and silence; and the received frameworks of philosophy and aesthetics. The highlight of the volume is the contribution by Nobel Laureate J. M. Coetzee, the special guest of the Symposium. His article entitled "Eight Ways of Looking at Samuel Beckett" introduces a variety of novel approaches to Beckett, ranging from a comparative analysis of his work and Melville's Moby Dick to a biographical observation concerning Beckett's application for a lectureship at a South African university. Other highlights include innovative essays by the plenary speakers and panelists - Enoch Brater, Mary Bryden, Bruno Clement, Steven Connor, S. E. Gontarski, Evelyne Grossman, and Angela Moorjani - and an illuminating section on Beckett's television dramas. The Borderless Beckett volume renews our awareness of the admirable quality and wide range of approaches that characterize Beckett studies.

目次

Introduction 1. J. M. COETZEE: Eight Ways of Looking at Samuel Beckett Dislocations: Limits and Limitlessness 2. Steven CONNOR: "On such and such a Day ... in such a World": Beckett's Radical Finitude 3. Evelyne GROSSMAN: A La Limite...: lecture de Cette fois de Samuel Beckett 4. Masaki KONDO: Ill Seen Ill Said and the Japanese Spatial Concept Ma 5. Garin DOWD: Watt's Ways: Addenda, Borders and Courses Litterature et philosophie: voix et images en question 6. Bruno CLEMENT: "Mais quelle est cette voix?" 7. Anthony UHLMANN: Image and Disposition in Beckett's Late Plays 8. Paul SHEEHAN: Images must Travel Further: Bataille and Blanchot Read Beckett 9. Michiko TSUSHIMA: "Memory is the Belly belly of the Mind": Augustine's Concept of Memory in Beckett 10. Yo FUJIWARA: narrateurs et entendeurs dans les oeuvres romanesques et theatrales de Samuel Beckett 11. Manfred MILZ: Echoes of Bergsonian Vitalism in Samuel Beckett's Early Works Of Clowns and Artists 12. Mary BRYDEN: Beckett, Boell, and Clowns 13. Enoch BRATER: From Dada to Didi: Beckett and the Art of His Century 14. Angela MOORJANI: Genesis, Child's Play, and the Gaze of Silence: Samuel Beckett and Paul Klee Animals, Humans, Stones 15. Naoya MORI: Becoming Stone: A Leibnizian Reading of Beckett's Fiction 16. Shane WELLER: Not Rightly Human: Beckett and Animality 17. Yoshiyuki INOUE: "Little People" in le depeupleur: Beckett and the Eighteenth Century Impressions of Tokyo by Sjef HOUPPERMANS Television's "Savage Eye" : Phantasmagorical and Virtual Bodies 18. Minako OKAMURO: ... But the Clouds... and a Yeatsian Phantasmagoria 19. Schirin NOWROUSIAN: "Imagination, Ear and Eye" Et "Mudes Vogelgestoehn": une reflexion sur la musique et l'influence du poeme "The Tower" dans ...nur noch Gewoelk..., Geistertrio et Nacht und Traume 20. Ulrika MAUDE: "Hint of Jugular and Cords": Beckett and Modern Medicine 21. Mireille RAYNAL-ZOUGARI: dans le for exterieur de la boite cranienne: proses et pieces pour la television 22. Anne-Cecile GUILBARD: voyons voir Beckett realisateur: qui voit quoi ou? ou: n'y a-t-il vraiment que nuages passant dans le ciel a la television? Beckett's Borderless Words / Paroles sans frontieres 23. Chris ACKERLEY: fun de partie: Puns and Paradigms in Endgame 24. Takeshi KAWASHIMA: "What kind of Name is that?": Samuel Beckett's Strategy of Naming 25. Izumi NISHIMURA: les points de vue de sirius dans l'innommable et les textes pour rien Witnessing 26. Russell SMITH: Bearing Witness in How it is 27. Yoshiki TAJIRI: Beckett's Legacy in the Work of J. M. Coetzee 28. Futoshi SAKAUCHI: Not I in an Irish Context "Sssh": Sounds and Signs of Silence 29. Julia SIBONI: ENTRE "mots muets" et silence bruissant: le 'je' en tension 30. Jonathan TADASHI NAITO: Writing Silence: Samuel Beckett's Early Mimes 31. Manako ONO: Actes Sans Paroles, Paroles Sans Scene Borderlessness: Life and Death / Beginnings and Endings 32. S. E. GONTARSKI: An End to Endings: Samuel Beckett's End Game(s) 33. Julie CAMPBELL: Playing With Death in Malone Dies 34. Regine BRUNEAU-SUHAS: une mise au tombeau: la terre beckettienne dans Oh les beaux jours 35. Gabriela GARCIA HUBARD: "sa naissance fut sa perte" et la perte son aporie: Heidegger / Beckett / Derrida Contributors / Liste des auteurs

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