The Cambridge introduction to serialism
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Bibliographic Information
The Cambridge introduction to serialism
（Cambridge introductions to music）
Cambridge University Press, 2008
- : pbk
- Other Title
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Serialism
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Note
Includes bibliographical references (p. 259-270) and index
Description and Table of Contents
Description
From the earliest years of the 20th century composers sought ways in which to break from earlier musical traditions. Serialism is one of the most prominent innovations resulting from this. From Schoenberg to Stockhausen, Berg to Boulez, this introduction tells the story of how serialism emerged, and provides a basic outline of serial compositional techniques. * Introduces serialism - a traditionally complex but key area of music studies - in a thorough and straightforward way * Clearly and concisely describes the technical aspects of serialism, using illustrative music examples * Contains a glossary to aid readers unfamiliar with specialised vocabulary.
Table of Contents
- Preface
- 1. Introducing the Introduction
- 2. Schoenberg's path to the twelve-tone method
- 3. Serialism in close-up
- 4. Schoenberg in the 1920s
- 5. Alban Berg. Reverence and resistance
- 6. Anton Webern. Discipline and license
- 7. The later Schoenberg
- 8. American counterpoints I
- 9. American counterpoints II
- 10. European repercussions I
- 11. European repercussions II
- 12. European repercussions III
- 13. European repercussions IV
- 14. European repercussions V
- Glossary.
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