Law, ethics and the visual arts
著者
書誌事項
Law, ethics and the visual arts
Kluwer Law International, c2007
5th ed
- : pbk
- : hardback
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9789041125170
内容説明
Since its first edition in 1979, "Law, Ethics and the Visual Arts" established itself as the leading art law text among law professors, students, and practitioners. This new and newly illustrated, fifth edition, revised in collaboration with Stephen K. Urice, incorporates recent changes in treaty, statutory, and case law. It includes discussion of recent developments from the resurgence of iconoclasm to military conflicts' depredations on cultural property. As in earlier editions, the authors present legal issues in their historical contexts. The broad range of topics addressed in the 5th edition, makes the text especially adaptable for use in multiple classroom settings. These topics include: U.S. museums' return of works of art and antiquities to claimants such as Holocaust survivors and foreign nations; Artist's rights such as copyright and moral rights International movement of art and antiquities; Fakes and forgeries in the art market; The inner workings of art auctions; Plundering and destruction of works of art in times of war and military conflict; Censorship of obscene or politically challenging works of art; and, many more.
In this edition, documents previously presented in a separate documentary appendix have been integrated into the text to provide immediate access to important treaties and other materials. Whether you need to understand something as provocative as who owns the past, or something as mundane as whether a museum can sell a work of art to fix the roof, "Law, Ethics and the Visual Arts" provides the information you need. It combines unassailable scholarship with a deeply humanistic approach, recognizing that law and art each 'impose a measure of order on the disorder of experience without stifling the underlying diversity, spontaneity, and disarray'. (Paul Freund).
- 巻冊次
-
: hardback ISBN 9789041125187
内容説明
Since its first edition in 1979, "Law, Ethics and the Visual Arts" established itself as the leading art law text among law professors, students, and practitioners. This new and newly illustrated, fifth edition, revised in collaboration with Stephen K. Urice, incorporates recent changes in treaty, statutory, and case law. It includes discussion of recent developments from the resurgence of iconoclasm to military conflicts' depredations on cultural property. As in earlier editions, the authors present legal issues in their historical contexts. The broad range of topics addressed in the 5th edition, makes the text especially adaptable for use in multiple classroom settings. These topics include: U.S. museums' return of works of art and antiquities to claimants such as Holocaust survivors and foreign nations; artist's rights such as copyright and moral rights; international movement of art and antiquities; fakes and forgeries in the art market; the inner workings of art auctions; plundering and destruction of works of art in times of war and military conflict; censorship of "obscene" or politically challenging works of art; and, many more.
In this edition, documents previously presented in a separate documentary appendix have been integrated into the text to provide immediate access to important treaties and other materials. Whether you need to understand something as provocative as who owns the past, or something as mundane as whether a museum can sell a work of art to fix the roof, "Law, Ethics and the Visual Arts" provides the information you need. It combines unassailable scholarship with a deeply humanistic approach, recognizing that law and art each "impose a measure of order on the disorder of experience without stifling the underlying diversity, spontaneity, and disarray".
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