Re-imagining animation : the changing face of the moving image
Author(s)
Bibliographic Information
Re-imagining animation : the changing face of the moving image
（AVA academia）
AVA Publising SA, c2008
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Note
Includes bibliographical references (p. 185-187)
Description and Table of Contents
Description
This book will explore the creative, educational, technical and critical issues at stake in 're-imagining animation'. The moving image pieces will be presented as a range of case studies looking at the production process from the initial choice and selection of the creative stimulus, through the discussion and decision informing the aesthetic and technical facilitation of the work, to the final outcome. These will then be analysed in meaning, purpose, and affect, and as part of a wider engagement with moving image culture. These case studies will represent a detailed evaluation of experimental work as it moves from 'script to screen', simultaneously addressing the interfaces between animation, film, graphic design and art-making in general, and it is this which essentially constitutes the 'advanced' level of the book in not merely foregrounding progressive contemporary work, but stressing innovative approaches to pedagogy and production. This book is suitable for students of animation, established professional animators, and anyone with an interest in animation.
Table of Contents
- Introduction. How to get the most out of this book. Teaching moving image culture: Pedagogical Implications: The disciplinary shift
- Approaches and outlooks
- The bigger picture. The politics of practice: Authorship
- Attitudes and ethics
- Artist animation?. Animation re-imagined: Re-animating history
- Re-defining practice
- Re-thinking artists. 'Object react': Re-animating pedagogy
- Process
- Practice. From ideas to idioms: Objects of desire
- Impossibly real
- Themes and dreams. Appendix. Conclusion. Bibliography. Further resources and webography. Index. Acknowledgements and picture credits.
by "Nielsen BookData"
