Narrating class in American fiction
著者
書誌事項
Narrating class in American fiction
（American literature readings in the 21st century）
Palgrave Macmillan, 2009
- : [pbk.]
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注記
Includes bibliographical referenses and index
収録内容
- Whitman's 1855 Leaves of Grass: "hard work and blood"
- Class and the performative in Rebecca Harding Davis's Life in the iron mills, and Stephen Crane's Maggie
- Body tramping, class, and masculine extremes: Jack London's The people of the abyss
- "Aways your heart": class designs in Jean Toomer's Cane
- Meridel le Sueur's Salute to spring: "a movement up which all are moving"
- Class, work, and new races: Zora Neale Hurston's Their eyes were watching God and Agnes Smedley's Daughter of earth
- Class "truths" in James Agee's Let us now praise famous men
内容説明・目次
内容説明
Focusing on American fiction from 1850-1940, Narrating Class in American Fiction offers close readings in the context of literary and political history to detail the uneasy attention American authors gave to class in their production of social identities.
目次
Whitman's 1855 Leaves of Grass: 'Hard Work and Blood' Class and the Performative in Rebecca Harding Davis's Life in the Iron Mills and Steven Crane's Maggie Body Tramping, Class and Masculine Extremes: Jack London's The People of the Abyss 'Always Your Heart': Class Designs in Jean Toomer's Cane Meridel Le Sueur's Salute to Spring: 'A Movement Up Which All Are Moving' Class, Work and New Races: Zora Neale Hurston's Their Eyes Were Watching God and Agnes Smedley's Daughter of Earth Class 'Truths' in James Agee's Let Us Now Praise Famous Men
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