Funny cuts : cartoons and comics in contemporary art
著者
書誌事項
Funny cuts : cartoons and comics in contemporary art
Kerber, c2004
- German ed.
- タイトル別名
-
Funny cuts
- 統一タイトル
-
Funny cuts
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalog of an exhibition held at Staatsgalerie Stuttgart, Dec. 4, 2004-Apr. 17, 2005
US distribution: D.A.P., Distributed art pub.
Includes bibliographical references
内容説明・目次
内容説明
As its point of departure, Funny Cuts takes, as its point of departure, Pop art's revolutionary referencing of comics and concludes with the most current trends in contemporary art, reflecting in many diverse ways its dialogue with the commercial and trivial picture worlds of comics and cartoons. Pop art artists like Andy Warhol and Roy Lichtenstein were ground-breaking in their provocative confrontation with high and low art using motifs and references from popular comics. In the 1970s, American comics dealt with taboo subjects like sexuality and violence--here, for the first time, the subversive potential and the psychological content of comic worlds were used creatively in in fine art. Within the context of the punk movement, Raymond Pettibon and Mike Kelley were inspired by comics through wall-length drawings that made use of the narrative element of comics on the border between visual art and literature. And internationally today, artists question political and social realities and their own identity through the mythological potential of comics and animations. Presented here are numerous images from roughly 100 artists that visually demonstrate the various ways in which comics have become a form of high art.
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