Securing the past : conservation in art, architecture and literature
著者
書誌事項
Securing the past : conservation in art, architecture and literature
Cambridge University Press, 2009
- : pbk
- : hbk
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
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注記
Includes bibliographical references (p. 265-284) and index
内容説明・目次
内容説明
We all have a stake in the past and in its tangible preservation, and we trust professionals to preserve our cultural heritage for the future. However, restoration in all its forms is entangled in many contemporary theoretical debates and problems. This book is the first concerted effort to examine together the linked philosophies of the different arts of preserving and uncovering the past: the restoration of buildings, conservation of works of art, and editing of literary works to retrieve their original or intended texts. By investigating a series of recent crises in each of these areas, Securing the Past shows how their underlying justifications relate closely to one another. Paul Eggert shows how they have been philosophically undermined by postmodern theories and charts another, richer way forward to a new future for the past.
目次
- 1. Introduction
- 2. The witness of historic buildings and the restoration of the churches
- 3. The new Ruskinians and the new aesthetes
- 4. Forgery and authenticity: historical documents, literary works and paintings
- 5. Conservators and agency: their role in the work
- 6. Subtilising authorship: Rembrandt, scientific evidence and modern connoisseurship
- 7. Materialist, performance or literary Shakespeare?
- 8. Modes of editing literary works: conflicts in theory and practice
- 9. Readers and editors: new directions in scholarly editing
- 10. The editorial gaze and the nature of the work
- Bibliography.
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