Five directors : auteurism from Assayas to Ozon
著者
書誌事項
Five directors : auteurism from Assayas to Ozon
（French film directors）
Manchester University Press, 2008
- : hbk
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Auteurism - the idea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies' most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris.
Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne borthers, Michael Haneke and Francois Ozon, this book looks into how the meaning of 'auteur' has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism.
This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts. -- .
目次
Series Editors' Foreword
Acknowledgements
Introduction - Kate Ince
1 Olivier Assayas and The Cinema af Catastrophe - Paul Sutton
2 Jacques Audiard: Contesting Filiations - Julia Dobson
3 Ethics in The Ruin of Politics: The Dardenne Brothers - Martin O'shaughnessy
4 Close Encounters with Distant Suffering: Michael Haneke's Disarming Visions - Libby Saxton
5 Francois Ozon's Cinema of Desire - Kate Ince
Conclusion - Kate Ince
Filmographies
Index -- .
「Nielsen BookData」 より