Essays from the Fourth International Schenker Symposium
著者
書誌事項
Essays from the Fourth International Schenker Symposium
（Studien und Materialien zur Musikwissenschaft, Bd. 50,
Olms, 2008-
- v. 1
- v. 2
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注記
v. 2 edited by L. Poundie Burstein, Lynne Rogers, Karen M. Bottge
収録内容
- Vol. 1. E Pluribus Unum : large-scale connections in the opening scenes of Don Giovanni / Carl Schachter
- Texture and structure in Brahms's String quartet, op. 51, no. 2, Finale / David Gagné
- Structural register and multi-movement form in Mozart / James M. Baker
- E♭ and its extra-musical meaning in two Bach cello suites / Christopher Park
- Intersections between two analytical perspectives on sonata form : the Schenkerian approach / Allen Cadwallader
- Intersections between two analytical perspectives on sonata form : the sonata theory approach / Warren Darcy
- Disintegrating dominant prolongations : a new look at the deceptive cadence / Norman Carey
- Another recurring pattern in Mozart's music : obligatory register in two Mozart expositions / Jan Miyake
- The augmented sixth chord as support for scale-degree 3 in the Urlinie / Eric Wen
- The tonality/atonality divide reconsidered / David Loeb
- Aesthetic education : on the origins of Schenker's musical politics / William Pastille
- Schenker and the Well-tempered clavier / Ian Bent
- From Harmonielehre to Harmony : Schenker's theory of harmony and its Americanization / Robert W. Wason
- Schenkerian pedagogy in the Salzer and Oster teaching lines : an oral history approach / Stephen Slottow
内容説明・目次
内容説明
The Fourth International Schenkerian Symposium took place at Mannes College of Music during March of 2006, a year that marked the hundredth anniversary of the publication of Harmonielehre and, in a very real sense, the beginning of the Schenkerian enterprise. The essays in this volume are organized into three categories -- analytical, theoretical, and historical. Among the analytical essays is Carl Schachter's brilliant discussion of large-scale connections in the opening scenes of Don Giovanni. The theoretical section includes a comparison of two perspectives on sonata form by Allen Cadwallader and Warren Darcy. In the historical section, Robert Wason details the publication history of Harmonielehre and the checkered career of its translation into English. Like the previous volume published by Olms Verlag, this collection gives testimony to the ongoing exploration of Schenker's ideas by American and European scholars.
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