Staging early modern romance : prose fiction, dramatic romance, and Shakespeare
著者
書誌事項
Staging early modern romance : prose fiction, dramatic romance, and Shakespeare
(Routledge studies in Renaissance literature and culture, 11)
Routledge, 2009
- : hbk
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注記
Includes bibliographical references and index
収録内容
- Introduction : into the forest / Mary Ellen Lamb and Valerie Wayne
- The sources of romance, the generation of story, and the patterns of the Pericles tales / Lori Humphrey Newcomb
- "Asia of the one side, and Afric of the other" : Sidney's unities and the staging of romance / Cyrus Mulready
- "A Note Beyond Your Reach" : prose romance's rivalry with Elizabethan drama / Steve Mentz
- Hamlet and Euordanus / Goran Stanivukovic
- Reading the book of the self in Shakespeare's Cymbeline and Wroth's Urania / Sarah Wall-Randell
- Virtual audiences and virtual authors : The winter's tale, The tempest, and old wives' tales / Mary Ellen Lamb
- The issue of the Corpus Christi cycles, or "religious romance," in The winter's tale / Gloria Olchowy
- Romancing the wager : Cymbeline's intertexts / Valerie Wayne
- John Fletcher's Women pleased and the pedagogy of reading romance / Joyce Boro
- Undoing romance : Beaumont and Fletcher's resistant reading of The countess of Pembroke's Arcadia / Clare R. Kinney
- Probable infidelities from Bandello to Massinger / Lorna Hutson
- Afterword : Shakespeare and romance / Barbara A. Mowat
内容説明・目次
内容説明
This collection recovers the continuities between three forms of romance that have often been separated from one another in critical discourse: early modern prose fiction, the dramatic romances staged in England during the 1570s and 1580s, and Shakespeare's late plays. Although Pericles, Cymbeline, Winter's Tale, and The Tempest have long been characterized as "romances," their connections with the popular prose romances of their day and the dramatic romances that preceded them have frequently been overlooked. Constructed to explore those connections, this volume includes original essays that relate at least one prose or dramatic romance to an English play written from 1570 to 1630. The introduction explores the use of the term "dramatic romance" over several centuries and the commercial association between print culture, gender, and drama. Eight essays discuss Shakespeare's plays; three more examine plays by Beaumont, Fletcher, and Massinger. Other authors treated at some length include Boccaccio, Christine de Pizan, Chaucer, Sidney, Greene, Lodge, and Wroth. Barbara Mowat's afterword considers Shakespeare's use of Greek romance. Written by foremost scholars of Shakespeare and early modern prose fiction, this book explores the vital cross-currents that occurred between narrative and dramatic forms of Greek, medieval, and early modern romance.
目次
Acknowledgments
Part I: Continuities and Incongruities
1 Introduction: Into the Forest
Mary Ellen Lamb and Valerie Wayne
2 The Sources of Romance, the Generation of Story, and the Patterns of the Pericles Tales
Lori Humphrey Newcomb
3 "Asia of the one side, and Afric of the other": Sidney's Unities and the Staging of Romance
Cyrus Mulready
Part II: Page and Stage
4 "A Note Beyond Your Reach": Prose Fiction's Rivalry with Elizabethan Drama
Steve Mentz
5 Hamlet and Eourdanus
Goran Stanivukovic
6 Reading the Book of the Self in Shakespeare's Cymbeline and Wroth's Urania
Sarah Wall-Randell
7 Virtual Audiences and Virtual Authors: The Winter's Tale, The Tempest, and Old Wives' Tales
Mary Ellen Lamb
Part III: Gender and Agency
8 The Issue of the Corpus Christi Cycles, or "Religious Romance," in The Winter's Tale
Gloria Olchowy
9 Romancing the Wager: Cymbeline's Intertexts
Valerie Wayne
10 John Fletcher's Women Pleased and the Pedagogy Reading of Romance
Joyce Boro
11 Undoing Romance: Beaumont and Fletcher's Resistant Reading of the The Countess of Pembroke's Arcadia
Clare R. Kinney
12 Probable Infidelities from Bandello to Massinger
Lorna Hutson
13 Afterword: Shakespeare and Romance
Barbara Mowat
Notes on Contributors
Index
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