Paul Celan : studies in his early poetry
Author(s)
Bibliographic Information
Paul Celan : studies in his early poetry
(Amsterdamer Publikationen zur Sprache und Literatur, 157)
Rodopi, 2008
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [229]-239) and index
Description and Table of Contents
Description
Paul Celan: Studies in His Early Poetry scrutinizes the influences detectable in the poems written during 1938-48. Among German writers, Buchner, Goethe, Gottfried von Strassburg, Gryphius, Moerike, the poet of the Nibelungenlied, Novalis, Rilke, and Trakl all provided motifs that, often repeated, make for a dense network inviting attention to the self-referential and self-revealing patterns in Celan's early work. In addition, there are many poems that contain motifs gleaned from Greek mythology and/or biblical data. These references, on occasion quite clear, more often so obscure as to be hazy allusions, yield the view that during his first decade of poetic activities Celan becomes increasingly recondite. When these references or allusions stand side-by-side in a given poem, they acquire a surrealistic tint and threaten to withhold clear meaning. Ambiguities, deliberately cultivated in the earliest poems, begin to boomerang and read like so many preludes to the struggles with language evident in the poetry of Celan's maturity.
It is a certainty that Celan reacted quickly, if not immediately, to the events befalling the scenes of his early years (Czernowitz and the forced-labor camp). This phenomenon mandates the view of his poems as so many pieces of autobiography. It thus is inevitable that as early as 1940 he wrote against the backdrop of war, and soon thereafter in the shadow of the Holocaust that was destined to brand his mind forever.
This volume is meant for anyone interested in Celan, close reading of modern poetry in general, comparative literature, motif studies, poetic reactions to Holocaust events, or even in a Jew's concept regarding the role of the deity in the destruction of those for whom the poet speaks.
Table of Contents
Preface: Celan's Early Years
Introduction
The Beginnings, Part I
The Beginnings, Part II
Poppies, Forgetfulness, Dreams, Rebels
Things (Quasi-) Medieval
War
The Mother Figure
On the Way to Todesfuge
Poetic Devices and Their Consequences
Appendix: The Lithographs in Der Sand aus den Urnen
Abbreviations
Bibliography
Index of Names
Index of German Celan Poems Cited
by "Nielsen BookData"