{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BA89883176.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BA89883176#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BA89883176.json"},"dc:title":[{"@value":"The modernist legacy : essays on new music"}],"dc:creator":"edited by Bjorn Heile","dc:publisher":[{"@value":"Ashgate"}],"dcterms:extent":"xvi, 260 p.","cinii:size":"24 cm","dc:language":"eng","dc:date":"2009","cinii:ncid":"BA89883176","cinii:ownerCount":"4","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA16541600#entity","@type":"foaf:Person","foaf:name":[{"@value":"Heile, Björn"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA001925","@type":"foaf:Organization","foaf:name":"東京芸術大学 附属図書館","rdfs:seeAlso":{"@id":"https://opac.lib.geidai.ac.jp/opc/recordID/catalog.bib/BA89883176"}},{"@id":"https://ci.nii.ac.jp/library/FA003319","@type":"foaf:Organization","foaf:name":"徳島大学 附属図書館","rdfs:seeAlso":{"@id":"https://opac.lib.tokushima-u.ac.jp/opac/search?target=local&searchmode=complex&autoDetail=true&s_ncid=BA89883176"}},{"@id":"https://ci.nii.ac.jp/library/FA004537","@type":"foaf:Organization","foaf:name":"宮城学院女子大学 図書館","rdfs:seeAlso":{"@id":"https://library.mgu.ac.jp/opac/search?&target=local&searchmode=complex&autoDetail=true&s_ncid=BA89883176"}},{"@id":"https://ci.nii.ac.jp/library/FA007739","@type":"foaf:Organization","foaf:name":"立命館大学 図書館","rdfs:seeAlso":{"@id":"http://runners.ritsumei.ac.jp/opac/opac_openurl/?ncid=BA89883176"}}],"bibo:lccn":["2008020000"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2008020000"}],"prism:publicationDate":["c2009"],"cinii:note":["Includes bibliographical references and index"],"dc:subject":["LCC:ML197","DC22:780.9/04"],"cinii:contentOfWorks":["Modernism's moment of plenitude / Andrew Timms","Fields of rubble : on the poetics of music after the postmodern / John Croft","Spectralism, politics and the post-industrial imagination / Eric Drott","The scream in avant-garde music : the new left and the rediscovery of the body / Beate Kutschke","Verbal discourse as aesthetic arbeitrator in contemporary music / Ian Pace","Weltmusik and the globalization of new music / Björn Heile","Temps perdu : Aldo Clementi and the eclipse of music as praxis / David Osmond-Smith","Feldman - Beckett - Johns : patterning, memory and subjectivity / Catherine Laws","Brian Ferneyhough, postmodern modernist / Lois Fitch","The electroacoustic music of Henri Poussseur and the open form / John Dack","Self-portrait with Boulez and Machaut (and Ligeti is there as well) : Harrison Birtwistle's Hoquetus Patrus / Mark Delaere","Local polymetric structures in Elliott Carter's 90 + for piano (1994) / Ève Poudrier"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Music+--+20th+century+--+History+and+criticism","dc:title":"Music -- 20th century -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Modernism+%28Music%29","dc:title":"Modernism (Music)"},{"@id":"https://ci.nii.ac.jp/books/search?q=Avant-garde+%28Music%29","dc:title":"Avant-garde (Music)"}],"dcterms:hasPart":[{"@id":"urn:isbn:9780754662600"}]}]}