The Master of Flémalle and Rogier van der Weyden : an exhibition organized by the Städel Museum, Frankfurt am Main, and the Gemäldegalerie, Staatliche Museen, Berlin
著者
書誌事項
The Master of Flémalle and Rogier van der Weyden : an exhibition organized by the Städel Museum, Frankfurt am Main, and the Gemäldegalerie, Staatliche Museen, Berlin
Hatje Cantz, c2009
- : hard
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注記
Published on the occasion of the exhibition, Der Meister von Flémalle und Rogier van der Weyden, Städel Museum, Frankfurt am Main, November 21, 2008-February 22, 2009; Gemäldegalerie, Staatliche Museen zu Berlin, Kulturforum Potsdamer Platz, March 20-June 21, 2009
Bibliography: p. 390-401
内容説明・目次
内容説明
Robert Campin, also known as the Master of Fl malle (c. 1375-1444), and his pupil Rogier van der Weyden (c. 1399-1464) were two of Europe's greatest Northern Renaissance painters, though art history has been slow to catch up with them. Along with Jan and Hubert van Eyck, Campin and van der Weyden are now considered synonymous with the development of Old Netherlandish painting, having given oil painting some of its earliest virtuoso works. Campin's work marks the shift from manuscript painting to Realist painting, both in its subject matter and in the artist's use of oils to mold signature shapes such as brocades or the teardrops on the cheek of a grieving Madonna. "The M rode Altarpiece" (c. 1425) at The Cloisters in New York is perhaps Campin's best-known painting--but both his and van der Weyden's reputations have fluctuated, as the work of each has been attributed to the other. (When van der Weyden died in 1464 he was the most famous painter in Europe, but today not one painting is decisively attributed to him.) This volume collects more than 50 masterpieces from the most important museums in the world and presents them side by side to encourage direct comparison. No monograph on either artist, or indeed on any early Netherlandish artist, offers such exacting reproduction and examination of this hotly debated body of works.
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