The Oxford critical and cultural history of modernist magazines

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書誌事項

The Oxford critical and cultural history of modernist magazines

edited by Peter Brooker and Andrew Thacker

Oxford University Press, 2009-

  • v. 1 : hbk
  • v. 2 : hbk
  • v. 3, pt. 1 : hbk
  • v. 3, pt. 2 : hbk

この図書・雑誌をさがす
注記

Vol. 3: edited by Peter Brooker, Sascha Bru, Andrew Thacker, and Christian Weikop

Vol. 1. Britain and Ireland 1880-1955 -- v. 2. North America 1894-1960 -- v. 3. Europe 1880-1940

Bibliography: v. 1: p. [899]-930 ; v. 2: p. [1025]-1061 ; v. 3, pt. 2: p. [1363]-1427

Includes index

内容説明・目次
巻冊次

v. 1 : hbk ISBN 9780199211159

内容説明

The first of three volumes charting the history of the Modernist Magazine in Britain, North America, and Europe, this collection offers the first comprehensive study of the wide and varied range of 'little magazines' which were so instrumental in introducing the new writing and ideas that came to constitute literary and artistic modernism in the UK and Ireland. In thirty-seven chapters covering over eighty magazines expert contributors investigate the inner dynamics and economic and intellectual conditions that governed the life of these fugitive but vibrant publications. We learn of the role of editors and sponsors, the relation of the arts to contemporary philosophy and politics, the effects of war and economic depression and of the survival in hard times of radical ideas and a belief in innovation. The chapters are arranged according to historical themes with accompanying contextual introductions, and include studies of the New Age, Blast, the Egoist and the Criterion, New Writing, New Verse , and Scrutiny as well as of lesser known magazines such as the Evergreen, Coterie, the Bermondsey Book, the Mask, Welsh Review, the Modern Scot, and the Bell. To return to the pages of these magazines returns us a world where the material constraints of costs and anxieties over censorship and declining readerships ran alongside the excitement of a new poem or manifesto. This collection therefore confirms the value of magazine culture to the field of modernist studies; it provides a rich and hitherto under-examined resource which both brings to light the debate and dialogue out of which modernism evolved and helps us recover the vitality and potential of that earlier discussion.

目次

  • PART ONE VICTORIAN PRECURSORS
  • PART TWO FIN-DE-SIECLE VENTURES (1884-1905)
  • PART THREE EARLY STATEMENTS (1899-1915)
  • PART FOUR TRANSITIONS
  • PART FIVE INTERVENTIONS (1911-19)
  • PART SIX EDITORS AND PROGRAMMES
  • PART SEVEN INTO THE 1920S: DISPERSAL AND DIFFERENCE
  • PART EIGHT COMMITMENT TO THE NEW: THE 1930S
  • PART NINE BEYOND THE METROPOLIS: NATIONAL AND MIGRANT VOICES IN THE 1930S AND 1940S
  • PART TEN THE CALL TO CRITICISM AND MODERNIST DESTINIES
巻冊次

v. 2 : hbk ISBN 9780199545810

内容説明

The second of three volumes charting the history of the Modernist Magazine in Britain, North America, and Europe, this collection offers the first comprehensive study of the wide and varied range of 'little magazines' which were so instrumental in introducing the new writing and ideas that came to constitute literary and cultural modernism. This book contains forty-four original essays on the role of periodicals in the United States and Canada. Over 120 magazines are discussed by expert contributors, completely reshaping our understanding of the construction and emergence of modernism. The chapters are organised into thirteen sections, each with a contextual introduction by the editors, and consider key themes in the landscape of North American modernism such as: 'free verse'; drama and criticism; regionalism; exiles in Europe; the Harlem Renaissance; and radical politics. In incisive critical essays we learn of familiar 'little magazines' such as Poetry, Others, transition, and The Little Review, as well as less well-known magazines such as Rogue, Palms, Harlem, and The Modern Quarterly. Of particular interest is the placing of 'little magazines' alongside pulps, slicks, and middlebrow magazines, demonstrating the rich and varied periodical field that constituted modernism in the United States and Canada. To return to the pages of these magazines returns us to a world where the material constraints of costs and anxieties over censorship and declining readerships ran alongside the excitement of a new poem or manifesto. This collection therefore confirms the value of magazine culture to the field of modernist studies; it provides a rich and hitherto under-examined resource which both brings to light the debate and dialogue out of which modernism evolved and helps us recover the vitality and potential of that earlier discussion.

目次

  • PART I TRADITION AND EXPERIMENT
  • PART II THE METROPOLIS, REGIONALISM, CANADA, AND EUROPE
  • PART III THE RADICAL DECADES

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