The Cambridge introduction to theatre historiography
Author(s)
Bibliographic Information
The Cambridge introduction to theatre historiography
(Cambridge introductions to literature)
Cambridge University, 2009
- : hbk
- : pbk
Available at 18 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
This Introduction - an indispensable 'how to' guide for students and teachers alike - investigates the methods and aims of historical study in the performing arts, from archival research to historical writing. Beginning with case studies on Shakespearean theatre and avant-garde theatre, this study examines fundamental procedures and problems in documentary history and cultural history. It demonstrates how historians not only construct various kinds of performance events but also place them in relation to the historical agents, the political and social conditions, artistic traditions, audience responses, and historical periods. Drawing upon scholarship in classics, literary studies, art history, performance studies, and general history, Postlewait shows how to ask appropriate historical questions, construct evidence, use plays as historical documents, eliminate faulty sources, challenge unreliable witnesses, and develop historical arguments and narratives. The book concludes with a survey of the 'twelve cruxes' of research, analysis, and writing in theatre history.
Table of Contents
- Introduction: on some preliminary matters
- Part I. Documentary History vs Cultural History: Two Case Studies: 1. Documentary histories: the case of Shakespeare's Globe theatre
- 2. Cultural histories: the case of Alfred Jarry's Ubu Roi
- Part II. Historical vs Theatrical Events: 3. The historical event
- 4. The theatrical event
- Part III. Placing Events within their Contexts: 5. The criteria for periodization in theatre history: definitive categories for events
- 6. The idea of the 'political' in our histories of theatre: causal contexts for events
- Part IV. Summing Up: 7. The theatrical event and its conditions: a primer with twelve cruxes.
by "Nielsen BookData"