Painterly perspective and piety : religious uses of the vanishing point, from the 15th to the 18th century
著者
書誌事項
Painterly perspective and piety : religious uses of the vanishing point, from the 15th to the 18th century
McFarland, c2008
- : pbk.
大学図書館所蔵 全1件
注記
Summary: "The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point"--Provided by publisher
Bibliography: p. 299-308
Includes index
収録内容
- The historical emergence of linear perspective
- Instrumental sources for Leon Battista Alberti's Velo
- Masaccio and the functions of religious imagery in his time
- Recovering the original physical situation of Masaccio's Trinity Chapel
- The symbolic unity of Masaccio's Trinity
- Toward a more balanced interpretation of Masaccio's Trinity
- Seeing the host in art and architecture
- Liturgical perspective in the context of scenographic architecture
- The case for uterine perspective
- Host-worship and the Spanish custodias procesionales
- Sculpting divine vision in Narciso Tomé's Transparente
- Epilogue: the demise of pious perspective