{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BA90226445.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BA90226445#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BA90226445.json"},"dc:title":[{"@value":"Painterly perspective and piety : religious uses of the vanishing point, from the 15th to the 18th century"}],"dc:creator":"John F. Moffitt","dc:publisher":[{"@value":"McFarland"}],"dcterms:extent":"vii, 312 p.","cinii:size":"23 cm","dc:language":"eng","dc:date":"2008","cinii:ncid":"BA90226445","cinii:ownerCount":"1","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA03510987#entity","@type":"foaf:Person","foaf:name":[{"@value":"Moffitt, John F. (John Francis)"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA001608","@type":"foaf:Organization","foaf:name":"茨城大学 附属図書館","rdfs:seeAlso":{"@id":"https://opac.lib.ibaraki.ac.jp/opc/recordID/catalog.bib/BA90226445"}}],"bibo:lccn":["2008019451"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/2008019451"}],"prism:publicationDate":["c2008"],"cinii:note":["Summary: \"The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point\"--Provided by publisher","Bibliography: p. 299-308","Includes index"],"dc:subject":["LCC:N7831","DC22:704.9/482"],"cinii:contentOfWorks":["The historical emergence of linear perspective","Instrumental sources for Leon Battista Alberti's Velo","Masaccio and the functions of religious imagery in his time","Recovering the original physical situation of Masaccio's Trinity Chapel","The symbolic unity of Masaccio's Trinity","Toward a more balanced interpretation of Masaccio's Trinity","Seeing the host in art and architecture","Liturgical perspective in the context of scenographic architecture","The case for uterine perspective","Host-worship and the Spanish custodias procesionales","Sculpting divine vision in Narciso Tomé's Transparente","Epilogue: the demise of pious perspective"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Christian+art+and+symbolism","dc:title":"Christian art and symbolism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Christianity+and+art","dc:title":"Christianity and art"},{"@id":"https://ci.nii.ac.jp/books/search?q=Perspective","dc:title":"Perspective"}],"dcterms:hasPart":[{"@id":"urn:isbn:9780786435050","dc:title":": pbk."}]}]}