Lichtenstein posters
著者
書誌事項
Lichtenstein posters
Prestel, c2008
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalog of the exhibition at the Museum für Kunst und Gewerbe, Hamburg, Dec.19, 2008-Mar.1, 2009
Text in English and German
Includes bibliographical references (p. 150-151)
内容説明・目次
内容説明
Roy Lichtenstein's art is most recognisable for its trademark Benday dots and two-dimensional planes, cartoon-like qualities that placed him at the forefront of the American Pop Art scene. With its heavy emphasis on America's consumer culture, Lichtenstein's style lends itself easily to the poster genre. This volume opens with his earliest poster, designed for his first exhibition at the Leo Castelli gallery in 1962, and closes with his last, which he completed in the year of his death. An additional section features reproductions from the Claus von Olden collection and includes posters and flyers that were produced all over the world using Lichtenstein's iconic motifs. The works reflect Lichtenstein's prolific imagination and ability to adapt his vision to the promotion of music and film festivals, theatrical performances, museums, restaurants, public service messages, as well as his own exhibitions. An essay by Jurgen Doring, curator of the exhibit for which this volume was created, expounds upon Lichtenstein's development as an artist who blurred the boundaries between low- and highbrow art. The book also includes an illustrated biography of the artist.
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