Porgy
著者
書誌事項
Porgy
University Press of Mississippi, c2001
- : pbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"A Banner book"--Back cover
"With an afterword by James M. Hutchisson"--Cover
内容説明・目次
内容説明
The fictional characters of Porgy, Bess, Black Maria, Sportin' Life, and the other Gullah denizens of Catfish Row have attained a mythic status and have become inextricably identified with Charleston. This novel is the story of Porgy, a crippled street-beggar in the black tenement. Unwashed and un-wanted, he lives just on the edge of subsistence and trusts his fate to the gods and chance. His one shining moment is his pursuit of Bess, whom he wins and then loses during one summer of passion and violence. This story by DuBose Heyward is, of course, the origin of George Gershwin's acclaimed folk opera Porgy and Bess. Heyward created Porgy with such sympathy, honesty, and insight that Porgy has ascended into the pantheon of the universal. This Banner Books edition includes an afterword by James M. Hutchisson, Heyward's biographer, who places Porgy in its social and historical context and shows how the novel revolutionized American literature. Heyward had no literary training, and he wrote Porgy while working as an insurance agent. It is ironic that this deeply feeling author was a member of the Charleston aristocracy which regarded African Americans as little more than servants. Indeed, the tightly knit black community is celebrated in the novel and is contrasted with Charleston's white culture, which in Heyward's view lacked the vitality and rich social ethos of the Gullahs. In 1927, even before Gershwin transformed the novel with a musical score, the book was successfully dramatized for the New York stage. The production revolutionized the black theater movement with its casting of black actors. Porgy, published in 1925, proved to be on the leading edge of the great southern renaissance, in which works by William Faulkner, Eudora Welty, and others would depict black characters of increasing emotional and psychological complexity. The novel has gone through seven editions and has been translated into French, Gullah, and German, among other languages and dialects. DuBose Heyward (1885-1940) published Porgy to tremendous critical acclaim and financial success. He wrote poetry, short fiction, plays, and screenplays. James M. Hutchisson is a professor of English at The Citadel in Charleston.
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